And I remember—well-a-day!—
Thy full-blown summer roundelay,
As when behind a broidered screen
Some holy maiden sings unseen
With answering notes the woodland rung,
And every tree-top found a tongue.
How deep the shade! the groves how fair!
Sing, little bird! the woods are bare.

The summer's throbbing chant is done
And mute the choral antiphon;
The birds have left the shivering pines
To flit among the trellised vines,
Or fan the air with scented plumes
Amid the love-sick orange-blooms,
And thou art here alone,—alone,—
Sing, little bird! the rest have flown.

The snow has capped yon distant hill,
At morn the running brook was still,
From driven herds the clouds that rise
Are like the smoke of sacrifice;
Erelong the frozen sod shall mock
The ploughshare, changed to stubborn rock,
The brawling streams shall soon be dumb,—
Sing, little bird! the frosts have come.

Fast, fast the lengthening shadows creep,
The songless fowls are half asleep,
The air grows chill, the setting sun
May leave thee ere thy song is done,
The pulse that warms thy breast grow cold,
Thy secret die with thee, untold
The lingering sunset still is bright,—
Sing, little bird! 't will soon be night.

1874.

DOROTHY Q.

A FAMILY PORTRAIT

I cannot tell the story of Dorothy Q. more simply in prose than I have told it in verse, but I can add something to it. Dorothy was the daughter of Judge Edmund Quincy, and the niece of Josiah Quincy, junior, the young patriot and orator who died just before the American Revolution, of which he was one of the most eloquent and effective promoters. The son of the latter, Josiah Quincy, the first mayor of Boston bearing that name, lived to a great age, one of the most useful and honored citizens of his time. The canvas of the painting was so much decayed that it had to be replaced by a new one, in doing which the rapier thrust was of course filled up.

GRANDMOTHER'S mother: her age, I guess,
Thirteen summers, or something less;
Girlish bust, but womanly air;
Smooth, square forehead with uprolled hair;
Lips that lover has never kissed;
Taper fingers and slender wrist;
Hanging sleeves of stiff brocade;
So they painted the little maid.

On her hand a parrot green
Sits unmoving and broods serene.
Hold up the canvas full in view,—
Look! there's a rent the light shines through,
Dark with a century's fringe of dust,—
That was a Red-Coat's rapier-thrust!
Such is the tale the lady old,
Dorothy's daughter's daughter, told.