Stephen Wainwright, holding his daughter jealously in his arms, felt those long-locked founts of emotion that had been pent up behind his steely exterior bursting all bounds. He had the immense feeling that he wanted for evermore to cherish and guard this precious thing that was all his own.
"Our actions are followed by their consequences as surely as a body by its shadow," says the Japanese proverb, and that cruel act of his mad youth had haunted the days of this man, who had achieved all that some men sell their souls for in life. And yet the greatest of all prizes had escaped him—peace of mind. Even now, as he held Sunny in his arms, he was consumed by remorse and anguish.
In his crowded life of fortune and fame, and a social career at the side of the brilliant woman who bore his name, Stephen Wainwright's best efforts had been unavailing to obliterate from his memory that tragic face that like a flower petal on a stream he had so lightly blown away. O-Haru-no was her name then, and she was the child of a Japanese woman of caste, whose marriage to an attaché of a Russian embassy had, in its time, created a furore in the capital. Her father had perished in a shipwreck at sea, and her mother had returned to her people, there, in her turn, to perish from grief and the cold neglect of the Japanese relatives who considered her marriage a blot upon the family escutcheon.
Always a lover and collector of beautiful things, Wainwright had harkened to the enthusiastic flights of a friend, who had "discovered" an incomparable piece of Satsuma, and had accompanied him to an old mansion, once part of a Satsuma yashiki, there to find that his friend's "piece of Satsuma" was a living work of art, a little piece of bric-a-brac that the collector craved to add to his collections. He had purchased O-Haru-no for a mere song, for her white skin had been a constant reproach and shame in the house of her ancestors. Moreover, this branch of the ancient family had fallen upon meagre days, and despite their pride, they were not above bartering this humble descendant for the gold of the American. O-Haru-no escaped with joy from the harsh atmosphere of the house of her ancestors to the gay home of her purchaser.
The fact that he had practically bought his wife, and that she had been willing to become a thing of barter and sale, had from the first caused the man to regard her lightly. We value things often, not by their intrinsic value, but by the price we have paid for them, and O-Haru-no had been thrown upon the bargain counter of life. However, it was not in Stephen Wainwright's nature to resist anything as pretty as the wife he had bought. A favourite and sardonic jest of his at that time was that she was the choicest piece in his collections, and that some day he purposed to put her in a glass case, and present her to the Museum of Art of his native city. Had indeed Stephen Wainwright seen the dancer, as she lay among her brilliant robes, her wide sleeves outspread like the wings of a butterfly, and that perfectly chiselled face on which the smile that had made her famous still seemed faintly to linger, he might have recalled that utterance of the past, and realised that no object of art in the great museum of which his people were so proud, could compare with this masterpiece of Death's grim hand.
He tried to delude himself with the thought that the temporary wife of his young days was but an incident, part of an idyll that had no place in the life of the man of steel, who had seized upon life with strong, hot hands.
But Sunny! His own flesh and blood, the child whose hair had suggested her name. Despite the galloping years she persisted ever in his memory. He thought of her constantly, of her strange little ways, her pretty coaxing ways, her smile, her charming love of the little live things, her perception of beauty, her closeness to nature. There was a quality of psychic sweetness about her, something rare and delicate that appealed to the epicure as exquisite and above all price. It was not his gold that had purchased Sunny. She was a gift of the gods and his memory of his child contained no flaw.
It was part of his punishment that the woman he married after his return to America from Japan should have drifted farther and farther apart from him with the years. Intuitively, his wife had recognised that hungry heart behind the man's cold exterior. She knew that the greatest urge in the character of this man was his desire for children. From year to year she suffered the agony of seeing the frustration of their hopes. Highstrung and imaginative, Mrs. Wainwright feared that her husband would acquire a dislike for her. The idea persisted like a monomania. She sought distraction from this ghost that arose between them in social activities and passionate work in the cause of woman's suffrage. It was her husband's misfortune that his nature was of that unapproachable sort that seldom lets down the mask, a man who retired within himself, and sought resources of comfort where indeed they were not to be found. Grimly, cynically, he watched the devastating effects of their separated interests, and in time she, too, in a measure was cast aside, in thought at least, just as the first wife had been. Stephen Wainwright grew grimmer and colder with the years, and the name applied to him was curiously suitable.
This was the man whose tears were falling on the soft hair of the strange girl from Japan. He had lifted her hat, that he might again see that hair, so bright and pretty that had first suggested her name. With awkward gentleness, he smoothed it back from the girl's thin little face.