Old armor, prints, pictures, pipes, china, (all crack'd,)
Old rickety tables, and chairs broken-back'd;
A twopenny treasury, wondrous to see;
What matter? 'tis pleasant to you, friend, and me.
No better divan need the Sultan require,
Than the creaking old sofa that basks by the fire;
And 'tis wonderful, surely, what music you get
From the rickety, ramshackle, wheezy spinet.
That praying-rug came from a Turcoman's camp;
By Tiber once twinkled that brazen old lamp;
A Mameluke fierce yonder dagger has drawn:
'Tis a murderous knife to toast muffins upon.
Long, long through the hours, and the night, and the chimes,
Here we talk of old books, and old friends, and old times;
As we sit in a fog made of rich Latakie
This chamber is pleasant to you, friend, and me.
But of all the cheap treasures that garnish my nest,
There's one that I love and I cherish the best;
For the finest of couches that's padded with hair
I never would change thee, my cane-bottom'd chair.
'Tis a bandy-legg'd, high-shoulder'd, worm-eaten seat,
With a creaking old back, and twisted old feet;
But since the fair morning when Fanny sat there,
I bless thee, and love thee, old cane-bottom'd chair.
If chairs have but feeling, in holding such charms,
A thrill must have pass'd through your wither'd old arms!
I look'd, and I long'd, and I wish'd in despair;
I wish'd myself turn'd to a cane-bottom'd chair.
It was but a moment she sat in this place,
She'd a scarf on her neck, and a smile on her face!
A smile on her face, and a rose in her hair,
And she sat there, and bloom'd in my cane-bottom'd chair.
And so I have valued my chair ever since,
Like the shrine of a saint, or the throne of a prince;
Saint Fanny, my patroness sweet I declare,
The queen of my heart and my cane-bottom'd chair.
When the candles burn low, and the company's gone,
In the silence of night as I sit here alone—
I sit here alone, but we yet are a pair—
My Fanny I see in my cane-bottom'd chair.