"I don't guess she ever thought of that. But I believe she did say she wanted I should get a divorce before I said much more about it. It's all right, anyway. I don't believe in holding a woman to strict rule. If you force the rule on her before you're married, she'll force it on you afterwards, and then where'll you be? Well," he added, leaning over to untie his shoe, "believe I'll go to bed. I'm glad you're pleased with my work. I want to save up enough to git them shirts, you know. It wouldn't look right to draw on her at once. Some fellers would, but I'm rather careful that way."


CHAPTER XVIII.

ACROSS THE DITCH.

Early Tuesday morning a girl from the poor-house went to Mrs. Stuvic's place. This meant that the season was about closed, that the "journeyman" cook had been discharged, the "help" told to go, and that this wretched creature was to do the work. Careful not to appear too early, Milford came almost too late. The carriage had set out for the station. He ordered the driver to stop. He reminded Gunhild of her promise to walk with him across the fields. She declared that she had not promised, but said that she was willing enough to walk. Mrs. Goodwin cautioned her not to loiter by the way; it would greatly put her out to miss the train. Gunhild jumped out, Milford catching at her, and the carriage drove on. They walked down the road to a place where there was a gap in the fence, and here they entered the field. Down deep in the grass a horde of insects shouted their death songs. Their day of judgment was soon to lie white upon the ground. Artists in their way, with no false notes, with mission ended, they were to die in art, among fantastic pictures wrought by the frost. Milford did not try to hide his sadness. The girl was livelier; the girl nearly always is.

"The other day I got near you, although others were present, but now you are far off," he said. "Must I rope you every time I want you?"

She laughed at this picture of life in the West, thrown in a word. Again she saw men lassoing the cattle. But the potato field came back to her, the rough words of the men, the drudgery, and her face grew sad. "I am as close to you now as I was then."

"Not with your eyes. Stop. Let me look at you."

They halted and stood face to face. "Give me your eyes." She gave them to him without a waver. But she reminded him that they must not miss the train. Afar off they could see the carriage turn a corner.

"When am I to see you again?" he asked, as they walked on.