"Tom," said the Major, "I have a desperate piece of news, and I wish I could break it to you gently, but there is no way to lead up to it. Your sister has married Carl Pennington."
"Yes, so Jim Taylor told me. Met him in the road a while ago. I didn't know that there was anything of the sort on hand. Must have kept it mighty quiet. I suppose——"
"What, you suppose! What the deuce can you suppose! Stand there supposing when I tell you that she has married a dying man." The old gentleman flounced in his chair. "She has thrown herself away and I tell you of it and you want to suppose. What's the matter with you? Have you lost all your pride and your sense? She has married a dying man, I tell you."
The young fellow began awkwardly to twist himself about. He looked at his mother, standing in the door with the light pouring about her, but her eyes were turned from him, gazing far away into the deepening night. "I know they might think he's dying," he said, "but they might be mistaken. Sometimes they believe a man's dying and he keeps on living. Wash Sanders——"
"Go back to your banjo, you idiot!" the Major shouted. "I'll swear this beats any family on the face of the earth." He got up, knocking over his chair. "Go on. Don't stand there trying to splutter an explanation of your lack of sense! No wonder you have always failed to pass an examination. Not a word, Margaret. I know what you are going to say: Beats any family on the face of the earth."
CHAPTER VIII.
On the morrow there was a song and a chant in the cotton fields. Aged fingers and youthful hands were eager with grabbing the cool, dew-dampened fleece of the fields. The women wore bandana handkerchiefs, and picturesquely down the rows their red heads were bobbing. Whence came their tunes, so quaintly weird, so boisterous and yet so full of melancholy? The composer has sought to catch them, has touched them with his refining art and has spoiled them. The playwright has striven to transfer from the field to the stage a cotton-picking scene and has made a travesty of it. To transfer the passions of man and to music-riddle them is an art with stiff-jointed rules, but the charm of a cotton-picking scene is an essence, and is breathed but cannot be caught. Here seems to lie a sentiment that no other labor invites, and though old with a thousand endearments, it is ever an opera rehearsed for the first time. But this is the view that may be taken only by the sentimentalist, the poet loitering along the lane. To him it is a picture painted to delight the eye, to soothe the nerves, to inspire a pastoral ode. There is, however, another side. At the edge of the field where the cotton is weighed, stands the planter watching the scales. His commercial instincts might have been put to dreamy sleep by the appearance of the purple bloom, but it is keenly aroused by the opening boll. He is influenced by no song, by no color fantastically bobbing between the rows. He is alert, determined not to be cheated. Too much music might cover a rascally trick, might put a clod in the cotton to be weighed. Sentiment is well enough, and he can get it by turning to Walter Scott.
None of the planters was shrewder than the Major. In his community he was the business as well as the social model. He was known to be brave and was therefore expected to be generous. His good humor was regarded as an echo of his prosperity, and a lucky negro, winning at dice, would strive to imitate his manner. At planting, at plowing and at gathering, no detail was too small or too illusive to escape his eye. His interests were under a microscopic view and all plans that were drawn in the little brick office at the corner of the yard, were rigorously carried out in the fields. In the one place he was all business; in the other there was in him an admixture of good humor and executive thoroughness. He knew how many pounds of cotton a certain man or woman was likely to pick within the working hours of a day, and he marked the clean and the trashy pickers; and the play of his two-colored temperament was seen in his jovial banter of the one and his harsh reprimand of the other. But to-day a hired man stood at the scales to see the cotton weighed. The Major walked abroad throughout the fields. As he drew near, the negroes hushed their songs and their swaggering talk. They bowed respectfully to him and to one another whispered his affliction. At noon, when he returned home, the housekeeper told him that his wife was away. He sat down in the library to wait for her. Looking out he saw Sallie Pruitt carrying a jug across the yard. A few moments later he asked for Tom and was told that he had just left the house. He tried to read, but nothing interested him. There was nothing but dullness in the newspaper and even Ivanhoe had lost his charm. It was nearly three o'clock when Mrs. Cranceford returned. He did not ask whither she had gone; he waited to be told. She sat down, taking off her gloves.
"Did you see Mr. Perdue?" she asked.