Pushing to the Front

by Orison Swett Marden

There is a lack in the make-up of a person who has no appreciation of beauty, who does not thrill before a great picture or an entrancing sunset, or a glimpse of beauty in nature.

Savages have no appreciation of beauty. They have a passion for adornment, but there is nothing to show that their esthetic faculties are developed. They merely obey their animal instincts and passions.

But as civilization advances ambition grows, wants multiply, and higher and higher faculties show themselves, until in the highest expression of civilization, we find aspiration and love of the beautiful most highly developed. We find it manifested on the person, in the home, in the environment.

The late Professor Charles Eliot Norton of Harvard University, one of the finest thinkers of his day, said that beauty has played an immense part in the development of the highest qualities in human beings; and that civilization could be measured by its architecture, sculpture, and painting.

What an infinite satisfaction comes from beginning early in life to cultivate our finer qualities, to develop finer sentiments, purer tastes, more delicate feelings, the love of the beautiful in all its varied forms of expression!

One can make no better investment than the cultivation of a taste for the beautiful, for it will bring rainbow hues and enduring joys to the whole life. It will not only greatly increase one's capacity for happiness, but also one's efficiency.

A remarkable instance of the elevating, refining influence of beauty has been demonstrated by a Chicago school-teacher, who fitted up in her school a "beauty corner" for her pupils. It was furnished with a stained glass window, a divan covered with an Oriental rug, and a few fine photographs and paintings, among which was a picture of the Sistine Madonna. Several other esthetic trifles, artistically arranged, completed the furnishings of the "beauty corner." The children took great delight in their little retreat, especially in the exquisite coloring of the stained glass window. Insensibly their conduct and demeanor were affected by the beautiful objects with which they daily associated. They became more gentle, more refined, more thoughtful and considerate. A young Italian boy, in particular, who had been incorrigible before the establishment of the "beauty corner," became, in a short time, so changed and softened that the teacher was astonished. One day she asked him what it was that made him so good lately. Pointing to the picture of the Sistine Madonna the boy said, "How can a feller do bad things when she's looking at him?"

Character is fed largely through the eye and ear. The thousand voices in nature of bird and insect and brook, the soughing of the wind through the trees, the scent of flower and meadow, the myriad tints in earth and sky, in ocean and forest, mountain and hill, are just as important for the development of a real man as the education he receives in the schools. If you take no beauty into your life through the eye or the ear to stimulate and develop your esthetic faculties, your nature will be hard, juiceless, and unattractive.

Beauty is a quality of divinity, and to live much with the beautiful is to live close to the divine. "The more we see of beauty everywhere; in nature, in life, in man and child, in work and rest, in the outward and the inward world, the more we see of God (good)."

There are many evidences in the New Testament that Christ was a great lover of the beautiful especially in nature. Was it not He who said: "Consider the lilies of the field; they toil not, neither do they spin; yet Solomon in all his glory was not arrayed like one of these"?