"Beethoven seated himself at the piano. Never, during all the years I knew him, did I hear him play better than to that blind girl and her brother. Even the old instrument seemed inspired. The young man and woman sat as if entranced by the magical, sweet sounds that flowed out upon the air in rhythmical swell and cadence, until, suddenly, the flame of the single candle wavered, sank, flickered, and went out. The shutters were thrown open, admitting a flood of brilliant moonlight, but the player paused, as if lost in thought.
"'Wonderful man!' said the shoemaker in a low tone; 'who and what are you?'
"'Listen!' replied the master, and he played the opening bars of the Sonata in F. 'Then you are Beethoven!' burst from the young people in delighted recognition. 'Oh, play to us once more,' they added, as he rose to go,—'only once more!'
"'I will improvise a sonata to the moonlight,' said he, gazing thoughtfully upon the liquid stars shining so softly out of the depths of a cloudless winter sky. Then he played a sad and infinitely lovely movement, which crept gently over the instrument, like the calm flow of moonlight over the earth. This was followed by a wild, elfin passage in triple time—a sort of grotesque interlude, like the dance of fairies upon the lawn. Then came a swift agitated ending—a breathless, hurrying, trembling movement, descriptive of flight, and uncertainty, and vague impulsive terror, which carried us away on its rustling wings, and left us all in emotion and wonder. 'Farewell to you,' he said, as he rose and turned toward the door. 'You will come again?' asked the host and hostess in a breath. 'Yes, yes,' said Beethoven hurriedly, 'I will come again, and give the young lady some lessons. Farewell!' Then to me he added: 'Let us make haste back, that I may write out that sonata while I can yet remember it.' We did return in haste, and not until long past the dawn of day did he rise from his table with the full score of the Moonlight Sonata in his hand."
Michael Angelo studied anatomy twelve years, nearly ruining his health, but this course determined his style, his practice, and his glory. He drew his figures in skeleton, added muscles, fat, and skin successively, and then draped them. He made every tool he used in sculpture, such as files, chisels, and pincers. In painting he prepared all his own colors, and would not let servants or students even mix them.
Raphael's enthusiasm inspired every artist in Italy, and his modest, charming manners disarmed envy and jealousy. He has been called the only distinguished man who lived and died without an enemy or detractor. Again and again poor Bunyan might have had his liberty; but not the separation from his poor blind daughter Mary, which he said was like pulling the flesh from his bones; not the need of a poor family dependent upon him; not the love of liberty nor the spur of ambition could induce him to forego his plain preaching in public places. He had so forgotten his early education that his wife had to teach him again to read and write. It was the enthusiasm of conviction which enabled this poor, ignorant, despised Bedford tinker to write his immortal allegory with such fascination that a whole world has read it.
Only thoughts that breathe in words that burn can kindle the spark slumbering in the heart of another.
Rare consecration to a great enterprise is found in the work of the late Francis Parkman. While a student at Harvard he determined to write the history of the French and English in North America. With a steadiness and devotion seldom equaled he gave his life, his fortune, his all to this one great object. Although he had, while among the Dakota Indians, collecting material for his history, ruined his health and could not use his eyes more than five minutes at a time for fifty years, he did not swerve a hair's breadth from the high purpose formed in his youth, until he gave to the world the best history upon this subject ever written.
After Lincoln had walked six miles to borrow a grammar, he returned home and burned one shaving after another while he studied the precious prize.
Gilbert Becket, an English Crusader, was taken prisoner and became a slave in the palace of a Saracen prince, where he not only gained the confidence of his master, but also the love of his master's fair daughter. By and by he escaped and returned to England, but the devoted girl determined to follow him. She knew but two words of the English language—London and Gilbert; but by repeating the first she obtained passage in a vessel to the great metropolis, and then she went from street to street pronouncing the other—"Gilbert." At last she came to the street on which Gilbert lived in prosperity. The unusual crowd drew the family to the window, when Gilbert himself saw and recognized her, and took to his arms and home his far-come princess with her solitary fond word.