We may take it from Murger that the shortcomings of fortune were borne with humorous fortitude on the credit of her occasional smiles, but there was no illusion about the privations. Nadar, Champfleury, and Delvau all agree that a bitter wind blew upon them. It was not so bad, in Nadar's opinion, so long as they lived more or less together, and this they did for a short time in an old house by the Barrière d'Enfer, which looked like a farm with a farmyard inhabited by hens. Champfleury made their acquaintance at this time in a little dairy where they sometimes took their meals. It was a strange society. Some wore blouses, others Phrygian caps, while the brothers Desbrosses had large sky-blue overcoats, turned back with pink satin and fastened by huge mother-of-pearl buttons. These two brothers were the originators of the colony at the Barrière d'Enfer, and its chiefs "surtout par leur misère." They harboured some of the others, who found a resting-place for the night in two hammocks slung in their small room. Murger was among them, the art of painting being for the moment his preoccupation. Fine days were spent lounging on the roof and contemplating the then rural surroundings. Anybody arriving with five francs in his pocket would have been regarded as a millionaire; indeed, they were happy enough when they could afford a few fried potatoes for dinner. Yet they would not have exchanged their hovel for the Garden of Eden, and they fed upon their dreams with inexhaustible confidence. Privation was still worse when the society broke up. One Bohemian lived a whole week on raw potatoes brought by his poor mother from the country; another went three days without food; another passed a winter shirtless in a calico blouse and a lasting waistcoat; another, as a device to keep himself warm, used to carry a log of wood up to his high garret, drop it over the banisters, and run down to fetch it again; an older Bohemian who heard of this manœuvre exclaimed: "Spendthrift, why the log?"
Henry Murger himself, who had abandoned painting and definitely adopted the vocation of a sentimental poet, went to live with his friend Lelioux, first in the Rue Montholon and then in that garret at £4 a year in the Rue de la Tour d'Auvergne where Rodolphe's friends "drank badly filtered water out of eclectic earthenware" at his Wednesday receptions. He had resumed his employment with M. de Tolstoi, but he was too improvident to keep out of misery for many days together. More than once he became so ill with purpura, an eruptive disease due in his case to the abuse of coffee, that he had to go to the hospital. Some extracts from his letters during these years will give an idea of his destitution. On December 14, 1841, he writes:
"Les Desbrosses passent la moitié de la journée à ne pas manger et l'autre à crever de froid. Les chats se méfient d'eux, et, en fait de chéminée, ils ne possèdent que leurs pipes—bien des fois sans tabac."
March 6, 1842:
"Sans le Christ, qui m'a donné à dîner et à déjeuner quatre fois la semaine, je ne sais pas ce que je serais devenu. Ce garçon n'a pas volé son surnom."
April 25, 1843:
"Nous crevons de faim; nous sommes au bout du rouleau. Il faut décidément se faire un trou quelque part ou se faire sauter la cervelle."
March 17, 1844:
"De Charybde en Sylla, mon cher ami! La misère est plus horrible que jamais chez moi et autour de moi. Ma place au Commerce n'a pas eu de suite; je suis de nouveau sur le pavé. C'est horrible! Aussi le découragement m'a-t-il pris et tout à fait submergé. Encore quelques jours de cette position et je me fais sauter la cervelle ou je m'engage dans la marine.—Pardonne-moi ces plaintes! C'est le cri de la fin."
Like Colline, he punned even in his misery.