It was a custom to fasten to the bier or platform supporting the coffin verses and sentences laudatory to the deceased and such often were printed after the funeral and distributed among the relatives and friends. These prints were not only deeply bordered with black but "they were often decorated gruesomely with skull and cross-bones, scythes, coffins, and hour-glasses, all-seeing eyes with rakish squints, bow-legged skeletons, and miserable little rosetted winding-sheets."[324] When newspapers were established in the colonies it became the practice to insert long and fulsome death-notices. Perhaps the greatest display in writing about the dead was that of the epitaph. They were of all kinds and quality many quite amusing in both rhyme and thought, and yet there were some epitaphs of beauty and sentiment that make us glad for the efforts. The following is truly such a one:
"I came in the morning—it was Spring
And I smiled.
I walked out at noon—it was Summer
And I was glad.
I sat me down at even—it was Autumn
And I was sad.
I laid me down at night—it was Winter
And I slept."[325]
In New York interment was made under the church and by special payment burial could be made under the very seat the deceased was wont to occupy during life while upon attendance at church. In New England the burial was in the churchyard or it might, too, be made under the church and this was true in the large places and of dignitaries. In the smaller places the graveyard might have been located in a barren pasture or on an out-of-the-way hillside. In the country often each family had its own burying-place, sometimes in a corner of the home farm and again at the foot of the garden or orchard. The early gravestones were quite similar in design. Freestone was used for these and rarely sandstone on account of its being readily disintegrated by frosts and storms. The best stone was a flinty slate-stone from North Wales, which was imported from England ready carved, and these stones also were alike, having at the top a winged cherub's head. This remained the only emblem on stones till near the middle of the eighteenth century when there began to be used the weeping willow and urn.