A peculiar superstition was in connection with the sacred trees, which were found quite numerous in both city and country. The patron gods of these trees were thought to inflict great injury upon those who might desecrate the trees. Believing this, sometimes a young woman whose affections had been stirred and then set aside used these sacred trees as a means of avenging herself. Making a rude image of straw to represent her former lover, at the "hour of the ox," two o'clock in the morning, she carried this straw man to one of these trees. Having on her feet the high clogs, worn in Japan, her hair disheveled, dressed in a loose flowing white night-dress, carrying in her hand nails and hammer, she proceeded to the tree and crucified on it the straw image of her lover. Then she beseeched the gods to whom the tree was dedicated to bring down affliction and even death upon him who mutilated the tree. These visits were repeated and the same things gone over till her recreant lover sickened and died. It is not told whether this always occurred or not.
"The wonderful story of 'Raiko and the Oni' is one of the most famous in the collection of Japanese grandmothers. Its power to open the mouths and distend the oblique eyes of the youngsters long after bedtime, is unlimited. I have before me a little stitched book of seven leaves, which I bought among a lot of two dozen or more in one of the colored print and book shops in Tōkio. It is four inches long and three wide. On the gaudy cover, which is printed in seven colors, is a picture of Raiko, the hero, in helmet and armor, grasping in both hands the faithful sword with which he slays the ghoul whose frightful face glowers above him. The hiragana text and wood-cuts within the covers are greatly worn, showing that many thousand copies have been printed from the original and oft-retouched face of the cherry-wood blocks. The story, thus illustrated with fourteen engravings, is as follows:
"A long time ago, when the mikado's power had slipped away into the hands of his regents, the guard at Kiōto was neglected. There was a rumor in the city that oni, or demons, frequented the streets late at night, and carried off people bodily. The most dreaded place was at the Ra-jō gate, at the southwestern entrance to the palace. Hither Watanabé, by order of Raiko, the chief captain of the guard, started one night, well armed. Wearily waiting for some hours, he became drowsy, and finally fell asleep. Seizing his opportunity, the wary demon put out his arm from behind the gate-post, caught Watanabé by the neck, and began to drag him up in the air. Watanabé awoke, and in an instant seized the imp by the wrist, and, drawing his sword, lopped the oni's arm off, who then leaped onto the cloud, howling with pain. In the morning Watanabé returned and laid the trophy at his master's feet. It is said that an oni's limb will not unite again if kept apart from the stump for a week. Watanabé put the hairy arm in a strong stone box, wreathed with twisted rice straw, and watched it day and night, lest the oni should recover it. One night a feeble knock was heard at his door, and to his challenge his old aunt's voice replied. Of course, he let the old woman in. She praised her nephew's exploit, and begged him to let her see it. Being thus pressed, as he thought, by his old aunty, he slid the lid aside. 'This is my arm,' cried the old hag, as she flew westward into the sky, changing her form into a tusked and hairy demon. Tracing the oni's course, Raiko and four companions, disguised as komusō (wandering priests), reached the pathless mountain Oyé, in Tango, which they climbed. They found a beautiful young girl washing a bloody garment. From her they learned the path to the oni's cave, and that the demons eat the men, and save the pretty damsels alive. Approaching, they saw a demon cook carving a human body, to make soup of. Entering the cave, they saw Shu ten dōji, a hideous tusked monster, with long red hair, sitting on a pile of silken cushions, with about a hundred retainers around him, at a feast. Steaming dishes were brought in, full of human limbs, cooked in every style. The young damsels had to serve the demons, who quaffed saké out of human skulls. Raiko and his band pretended to join in the orgies, and amused the demons by a dance, after which they presented them with a bottle of saké which had been mixed with a narcotic. The chief drank a skullful and gave to his retainers. Soon all the demons were asleep, and a thunder-storm of snores succeeded. Then Raiko and his men threw off their disguise, drew sword, and cut off their heads, till the cave flowed blood like a river. The neck of the chief demon was wider than Raiko's sword, but the blade miraculously lengthened, and Raiko cut the monster's head off at one sweep. They then destroyed the treasure, released all the prisoners, and returned to Kiōto in triumph, exposing the huge head along the streets."[128]
Religion.
There is no doubt that all three of these religions had much to do in moulding the character of the young in Japan, for in nearly every house of the reigning class were the books or emblems or symbols or idols of these three religions.
The school children had a god all to themselves, who was supposed to aid them in their study. This god was called "Ten-jin," or "Heavenly Man." As the boy desired to become a scholar, learned in the Chinese characters and an excellent penman, so he prayed to Ten-jin to help him in all these.
Suicide.
"Bravery has always been the chief ideal of Japanese character. What beauty meant to the Greeks, and right to the Romans, and purity to the Hebrews of old, bravery has meant to Japan."[131] In older Japan one of the bravest deeds was that of taking one's own life when there was a need. Thus arose the practice of seppuku (belly-cutting) or hara-kiri, the more common term. This act was performed by cutting across through one's bowels. This brought into practice the wearing of two swords, a long one for enemies and a short one for the wearer's own body. The young men were taught how to perform this deed upon themselves and they were so impressed that when the time came for its performance they were able to meet death without a tremor and with perfect composure. The young women were taught the equivalent duty of jigai, which was the piercing of the throat with a dagger so that a single cut would sever the arteries.
Work.
The apprenticeship system was used in Japan. The boy had to serve a long apprenticeship with no pay, or but little pay, although his needs of food, clothing, and lodging were attended to. Somewhat akin to this was the entering of boys into the homes of those of distinction and education. The young men performed the services required about the home and they were cared for by the ones having them in charge and given instruction in the things needed by them for the future.