The individual heroes are free, not bound by any ties of discipline to Charlemagne; they leave at any moment, in obedience to individual caprice, and wander forth in search of love and honor. It is in these various episodes or adventures that the true interest of the poem resides. At first sight there seems to be an inextricable confusion in the way they are told; but after careful study we find that the poet always controls them with a firm hand. A constant change goes on before our eyes. When one story has been told for some time, the poet, fearing to weary the reader, breaks it off, always at an interesting point, to begin another, which, in its turn, yields to another, and this to still another; from time to time these stories are taken up again, continued, and finished. All these transitions are marvels of skill and ingenuity.

Among the crowd of minor episodes three stand out with especial distinctness, the story of Cloridan and Medoro, Angelica's love for the latter and the consequent madness of Orlando; and the death of Zerbino.

Cloridan and Medoro are two brave young pagans, whose lord and master, Dardinello, has been slain in battle with Charlemagne's army outside the walls of Paris. Now the two youths, as they stand on guard at night, lament that their master's body lies unburied and dishonored on the field of battle, and resolve to go and find it and bring it back to camp.

These two were posted on a rampart's height,
With more to guard the encampment from surprise,
When 'mid the equal intervals, at night,
Medoro gazed on heaven with sleepy eyes.
In all his talk, the stripling, woful wight,
Here cannot choose, but of his lord devise,
The royal Dardinel; and evermore
Him, left unhonored on the field, deplore.

Then, turning to his mate, cries: "Cloridane,
I cannot tell thee what a cause of woe
It is to me, my lord upon the plain
Should lie, unworthy food for wolf or crow!
Thinking how still to me he was humane,
Meseems, if in his honor I forego
This life of mine, for favors so immense
I shall but make a feeble recompense.

"That he may lack not sepulture, will I
Go forth, and seek him out among the slain;
And haply God may will that none shall spy
Where Charles's camp lies hushed. Do thou remain;
That, if my death be written in the sky,
Thou may'st the deed be able to explain.
So that if Fortune foil so fair a feat,
The world, through Fame, my loving heart may weet."

Seeing that nought would bend him, nought would move,
"I too will go," was Cloridan's reply,
"In such a glorious act myself will prove;
As well such famous death I covet, I:
What other thing is left me, here above,
Deprived of thee, Medoro mine? To die
With thee in arms is better, on the plain,
Than afterwards of grief, should'st thou be slain."

So they go forth on their generous enterprise, and after slaying many distinguished warriors among the Christians, as they lay asleep, they approach the tent of Charlemagne, near which they find the body of their master:

The horrid mixture of the bodies there
Which heaped the plain where roved these comrades sworn,
Might well have rendered vain their faithful care
Amid the mighty piles, till break of morn,
Had not the moon, at young Medoro's prayer,
Out of a gloomy cloud put forth her horn.
Medoro to the heavens upturns his eyes
Towards the moon, and thus devoutly cries:

"O holy goddess! whom our fathers well
Have styled as of a triple form, and who
Thy sovereign beauty dost in heaven, and hell,
And earth, in many forms reveal; and through
The greenwood holt, of beast and monster fell,
—A huntress bold—the flying steps pursue,
Show where my king, amid so many lies,
Who did, alive, thy holy studies prize."