The peacock folds its tail and resumes its meditations.
“That bird is not as other birds,” one astrologer declares. “I have watched it for years past—it is ever alone—the others all avoid it. I think it has a soul.”
“You mistake,” replies his colleague; “it is but an evil Nat. [32] Observe its eyes: they are not those of a bird; they are those of a spirit in prison.”
They pass on in the wake of the ministers.
The peacock closes its eyes.
Enter the two young princes, accompanied by two great Pegu hounds. They converse in subdued tones, strolling slowly.
They are followed by pages of honour, carrying grain, which the young men proceed to distribute amongst the birds as they rapidly approach them. The peacock on the wall never stirs; she watches the young men always. Then the elder one comes with a handful of food and proffers it, but the peacock does not eat.
“I shall never understand you, Queen of the Kingdom of Birds,” he says, and strokes her feathers. At his touch the plumage scintillates with a brighter, a more exquisite sheen.
He murmurs to the bird in soft tones and mythical words. He tells it that the fear of everyone is that the King is mortally stricken, for he lies yonder in most strange and evil agony; that the hearts of himself and his brother are numb with the sorrow that knows no
language. The bird listens eagerly. And if the King should go, he, the speaker, will reign in his stead. The prospect fills him with fear. He desires, as also his brother, if the King must die, to return to dwell in the forest with the mother who he knows awaits them there.