[{0a}] See Lord Arthur Savile’s Crime and other Prose Pieces in this edition, page 223.
[{3}] Reverently some well-meaning persons have placed a marble slab on the wall of the cemetery with a medallion-profile of Keats on it and some mediocre lines of poetry. The face is ugly, and rather hatchet-shaped, with thick sensual lips, and is utterly unlike the poet himself, who was very beautiful to look upon. ‘His countenance,’ says a lady who saw him at one of Hazlitt’s lectures, ‘lives in my mind as one of singular beauty and brightness; it had the expression as if he had been looking on some glorious sight.’ And this is the idea which Severn’s picture of him gives. Even Haydon’s rough pen-and-ink sketch of him is better than this ‘marble libel,’ which I hope will soon be taken down. I think the best representation of the poet would be a coloured bust, like that of the young Rajah of Koolapoor at Florence, which is a lovely and lifelike work of art.
[{19}] It is perhaps not generally known that there is another and older peacock ceiling in the world besides the one Mr. Whistler has done at Kensington. I was surprised lately at Ravenna to come across a mosaic ceiling done in the keynote of a peacock’s tail—blue, green, purple, and gold—and with four peacocks in the four spandrils. Mr. Whistler was unaware of the existence of this ceiling at the time he did his own.
[{43}] An Unequal Match, by Tom Taylor, at Wallack’s Theatre, New York, November 6, 1882.
[{74}] ‘Make’ is of course a mere printer’s error for ‘mock,’ and was subsequently corrected by Lord Houghton. The sonnet as given in The Garden of Florence reads ‘orbs’ for ‘those.’
[{158}] September 1890. See Intentions, page 214.
[{163}] November 30, 1891.
[{164}] February 12, 1892.
[{170}] February 23, 1893.
[{172}] The verses called ‘The Shamrock’ were printed in the Sunday Sun, August 5, 1894, and the charge of plagiarism was made in the issue dated September 16, 1894.