I am sorry to see that Mrs. Fawcett deprecates the engagement of ladies of education as dressmakers and milliners, and speaks of it as being detrimental to those who have fewer educational advantages. I myself would like to see dressmaking regarded not merely as a learned profession, but as a fine art. To construct a costume that will be at once rational and beautiful requires an accurate knowledge of the principles of proportion, a thorough acquaintance with the laws of health, a subtle sense of colour, and a quick appreciation of the proper use of materials, and the proper qualities of pattern and design. The health of a nation depends very largely on its mode of dress; the artistic feeling of a nation should find expression in its costume quite as much as in its architecture; and just as the upholstering tradesman has had to give place to the decorative artist, so the ordinary milliner, with her lack of taste and lack of knowledge, her foolish fashions and her feeble inventions, will have to make way for the scientific and artistic dress designer. Indeed, so far from it being wise to discourage women of education from taking up the profession of dressmakers, it is exactly women of education who are needed, and I am glad to see in the new technical college for women at Bedford, millinery and dressmaking are to be taught as part of the ordinary curriculum. There has also been started in London a Society of Lady Dressmakers for the purpose of teaching educated girls and women, and the Scientific Dress Association is, I hear, doing very good work in the same direction.
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I have received some very beautiful specimens of Christmas books from Messrs. Griffith and Farran. Treasures of Art and Song, edited by Robert Ellice Mack, is a real édition de luxe of pretty poems and pretty pictures; and Through the Year is a wonderfully artistic calendar.
Messrs. Hildesheimer and Faulkner have also sent me Rhymes and Roses, illustrated by Ernest Wilson and St. Clair Simmons; Cape Town Dicky, a child’s book, with some very lovely pictures by Miss Alice Havers; a wonderful edition of The Deserted Village, illustrated by Mr. Charles Gregory and Mr. Hines; and some really charming Christmas cards, those by Miss Alice Havers, Miss Edwards, and Miss Dealy being especially good.
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The most perfect and the most poisonous of all modern French poets once remarked that a man can live for three days without bread, but that no one can live for three days without poetry. This, however, can hardly be said to be a popular view, or one that commends itself to that curiously uncommon quality which is called common-sense. I fancy that most people, if they do not actually prefer a salmis to a sonnet, certainly like their culture to repose on a basis of good cookery, and as there is something to be said for this attitude, I am glad to see that several ladies are interesting themselves in cookery classes. Mrs. Marshall’s brilliant lectures are, of course, well known, and besides her there is Madame Lebour-Fawssett, who holds weekly classes in Kensington. Madame Fawssett is the author of an admirable little book, entitled Economical French Cookery for Ladies, and I am glad to hear that her lectures are so successful. I was talking the other day to a lady who works a great deal at the East End of London, and she told me that no small part of the permanent misery of the poor is due to their entire ignorance of the cleanliness and economy necessary for good cooking.
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The Popular Ballad Concert Society has been reorganised under the name of the Popular Musical Union. Its object will be to train the working classes thoroughly in the enjoyment and performance of music, and to provide the inhabitants of the crowded districts of the East End with concerts and oratorios, to be performed as far as possible by trained members of the working classes; and, though money is urgently required, it is proposed to make the Society to a certain degree self-supporting by giving something in the form of high-class concerts in return for subscriptions and donations. The whole scheme is an excellent one, and I hope that the readers of the Woman’s World will give it their valuable support. Mrs. Ernest Hart was the secretary, and the treasurer is the Rev. S. Barnett.
(1) Etudes et Souvenirs. By Madame Ristori. (Paul Ollendorff.)
(2) The New Purgatory and Other Poems. By Elizabeth Rachel Chapman. (Fisher Unwin.)