All children should be examined at intervals by a physician, and a record kept of their development. I measure my little boy every year. I know how he is growing. If he has been subject to too much excitement, there will be larger relative growth of the head, and we adjust his manner of life accordingly. The object of education is to develop the boy, not to put him through so much of arithmetic or so much language. The object is to get out of the boy all there is in him. The first thing, then, is to have the boy examined. If, instead of calling a physician when the children are sick, he is called while they are well, it would be much better. Is he getting round-shouldered? Has he a crook in the back? Is he beginning to stoop? There are many things which can be stopped in a child which can never be changed after the habits are hardened. Too late the parent may find that his child is incapacitated for the highest education, because there is no room for the heart and lungs to play their parts. The boy is limited in his possibilities as a tree planted in unfavorable soil is limited. He is stunted. He will reach a certain limit, and no efforts on his part will carry him further. But if he has been taken in hand in time, and these suggestions acted upon, different results might have been produced. These efforts to develop the boy's body will awaken the interest of the boy himself. It does not awaken animalism. Let a man have pride in his body, and his morals will look out for themselves. If a a boy is thus examined, and a record kept, he will take a pride in keeping up his record. It is not necessary, then, to have appliances. He can make trees and clothes-horses and gates and fences take their place. Teach him the value of such opportunities. Teach him to increase the capacity of his lungs and heart, and what relation they bear to the brain, and thus awaken his interest. He will soon learn to exercise in the best way. When the parent has to watch a boy to see that he exercises, exercise is of little or no avail. But let the father and mother realize the full value and importance of the body, and the results will follow naturally. Every thing depends primarily upon the parent. If he simply commands exercise without sharing in it, he is like a father who lectures his sons about smoking and drinking while he smokes and drinks himself.
This is a great field. It is opening up broader every day. I do not know any field where a man can go more enthusiastically to work. It affects not only the physical, but the moral condition. We have brought about a higher moral tone at Harvard through physical training. There is less smoking and drinking by far than before the gymnasium was so universally used. Every thing that develops the whole man affects morals. Our Maker did not put us here merely to be trained for somewhere else. No one can walk through the streets of Boston without feeling that there is need enough of work to do right here, in bringing about a better condition of affairs; something which shall be nearer an ideal heaven on earth.--The Christian Union.
XXXI.
SAINT CECILIA
THE PATRONESS OF MUSIC-MYTHS CONCERNING THE ORIGIN OF MUSIC-ITS RELATION TO WORK AND BLESSEDNESS
Her legend relates that about the year 230, which would be in the time of the Emperor Alexander. Severus, Cecilia, a Roman lady, born of a noble and rich family, who in early youth had been converted to Christianity, and had made a vow of perpetual virginity, was constrained by her parents to marry a certain Valerian, a pagan, whom she succeeded in converting to Christianity without infringing the vow she had made. She also converted her brother-in-law, Tiburtius, and a friend called Maximius, all of whom were martyred in consequence of their faith.
It is further related, among other circumstances purely legendary, that Cecilia often united instrumental music to that of her voice, in singing the praises of the Lord. On this all her fame has been founded, and she has become the special patroness of music and musicians all the world over. Half the musical societies of Europe have been named after her, and her supposed musical acquirements have led the votaries of a sister art to find subjects for their work in episodes of her life. The grand painting by Domenichino, at Bologna, in which the saint is represented as rapt in an ecstasy of devotion, with a small "organ," as it is called--an instrument resembling a large kind of Pandean pipes--in her hand, is well known, as is also Dryden's beautiful ode. The illustration which accompanies this chapter, after a painting by one of the brothers Caracci, of the seventeenth century, represents Cecilia at the organ. Borne heavenward on the tide of music, she sees a vision of the holy family, the child Jesus, Mary, and Joseph, with an angel near at hand in quiet gladness.