He is satiated with this rope-dancer's existence--heartily satiated--he longs for his home, for his dear, incomparable wife, but he delays the moment of meeting as long as he can. A kind of shame contracts his throat at the thought of meeting her eyes. He knows she will ask him no questions, but still----

* * * * * *

Once more the railway bell has in vain startled Natalie and her little son. Evening has come. The excellent little dinner which was prepared in honor of the return has been served and taken away quite untouched. Kolia incessantly pulls his mother's sleeve and asks ever more importunately: "Why does not father come? Why does he not come?"

Maschenka has long been divested of her white muslin finery, and lies in her cradle. Kolia obstinately refuses to go to bed until his father has returned. Weary and tearful he wanders from one corner of the drawing-room to the other and will not play.

Now, with little head on his arm, he has fallen asleep over his picture books at a low child's table.

The roses which Natalie arranged so carefully in the vases wither. The white draperies of her dress are limp and tumbled.

Once again the bell rings. It is the last train to-day. She does not wake Kolia. Why should he uselessly vex himself this time also?

Softly she steps on the porch. The moon stands in the heavens; the trees are black. A gray, transparent mist arises from the earth which obliterates all contours. The flowers smell unusually sweet, and, in luxuriant melancholy, confess so much to the pale, cold moon that they have shamefacedly been silent about to the sun.

Why does the little brook sob so loudly? Can it not be silent a moment? Natalie's whole being is now only a strained, longing listening. Why does her heart beat so loudly? Why does her strong imagination charm up things in the stillness which do not exist? Or--no--no; she hears a sigh, a step, slow, slow! Who can that be? No man walks so slowly who after long, oh, how long absence, returns to wife and child! It is a messenger of misfortune, who delays to announce some ill news to her.

Then, from out the shadow, in the foggy moonlight, comes a broad-shouldered form.