Her relation with her daughter, now a tall, slender, and unusually clever girl of fourteen, suffered from her general wretchedness. She still loved the child tenderly, but the girl's clear, observant gaze pained her. It had grown much clearer and more penetrating with years.
A certain weight, an oppression, seemed to brood over Luzano like the sense of an impending catastrophe.
The only ray of sunshine in the unhappy wife's gloomy lot was her little son. Out of several children by her second marriage he alone had survived. He was strong and healthy, the darling of all, his sister's idol. Then--he had hardly passed his seventh birthday when he too died.
The little fellow had sickened in the midst of his play, had run to his sister and had fallen asleep with his head in her lap. The girl sat still, not to disturb him, and enjoined silence upon Miss Sophy, who was in the room. The twilight stole gray and vague in upon the bare apartment. The maid-servant--there were no longer any men-servants at Luzano--brought in a lamp, and a plate of rosy-cheeked apples for the children's supper. The boy opened his eyes, but closed them again with a low moan and turned his head away from the light.
His mother appeared, saw at a glance how matters stood, and put the little fellow to bed. She did not come down to supper, and when Erika went, as was her wont, to say good-night to her brother, she was not allowed to enter his room. The next morning the doctor was sent for.
Whilst he was in the sick-room Erika was taking her daily lesson in English with Miss Sophy, with no thought of any trouble. She was learning by heart her scene from Shakespeare, when her mother suddenly put her head in at the door and said, "Diphtheria!" The tone of her voice and the expression of her face were such as to terrify the girl. But when Erika, trembling with dread, ran towards her, she waved her off and vanished.
Miss Sophy was established in the sick-room, which Erika was not allowed to enter. No one paid her any attention, and she spent hours forlornly watching at the end of a long gloomy corridor the door behind which so much that was terrible was going on. If she was seen she was sent away; but before long the entire household was too anxious to pay her the slightest heed.
It was about eleven in the forenoon of the fifth day since the first symptoms of the disease had appeared. Erika stood listening eagerly near the door, trembling with a sense of something vaguely terrible going on behind it. Suddenly it opened, and her mother staggered out, her dress disordered, her face distorted with agony, and supported by the little boy's nurse. Behind her came Strachinsky, his handkerchief at his eyes.
In absolute terror Erika looked after her mother, who passed her by, even brushing her with her skirt, without seeing her. Then she entered the room which the wretched woman had just left. The bed was covered with a white sheet, which revealed the outline of the little form beneath it. The girl's heart throbbed almost to bursting. She lifted a corner of the sheet: there lay her little brother, dead, so white, and with his sweet face unchanged by disease. The little hands lay half open upon the coverlet, as though life had just slipped from them. A grace born of death hovered above the entire form. His sister gazed in tearless distress. She could not cry; she felt no definable pain, only a terrible heaviness in her limbs, and a weight upon her heart that almost choked her. She bent over the corpse to kiss it, when Miss Sophy rushed into the room, seized her by the arm, and thrust her out of the door.
Of course the first thing Erika did was to look for her mother. She found her in the morning-room, seated in a large arm-chair, quivering in every limb. Minna, the nurse, was moistening her forehead with cologne, but she seemed entirely unconscious. Her hands were folded in her lap, and her gaze was fixed on vacancy. Erika could not summon the courage to approach her.