"As if you had not already departed from them, and in the most vital regard," said Zinka, with arch tenderness.
"That is a very different thing,--if there were any good reason, then--then--!"
"Ah, dear friend, you have grown insufferably conservative, you would have shouted on the first day of the creation of the world: 'Conserves le chaos, seigneur Dieu, conservez le chaos!'"
Whereupon Truyn, kissing her hand, made reply. "That comes of living in France, dear child."
And so the pretty house in the Avenue Labédoyère was deserted. The shutters were closed, the carpets rolled up, the bric-à-brac stowed away; only in some roundabout fashion did a bluish beam of light slip into the vault-like obscurity, and the restless motes pursue their fantastic dance among the shrouded shapes of the furniture.
The Truyn family were rapidly approaching their home. Nearly thirty hours had passed since Paris had faded from their eyes in the misty blue distance--since the last gigantic announcement of the 'Belle Jardinière,' and of the 'Pauvre diable' had flitted past them. The Bavarian boundary, with its stupid Custom House formalities lay behind them. Truyn was reading a Vienna newspaper with great interest, Gabrielle was gazing abstractedly at the crimson coupé cushions opposite, with the far-away look in her eyes of young lovers. Zinka was leaning back in her corner, her veil half drawn aside, her hands folded in her lap, the latest impressions of her Paris life hovering kaleidiscopically before her mental vision, her heart oppressed by a strange melancholy.
"Ah, this defamed, delightful Paris! how it captivates the heart with its good-for-nothing beauty, and its corrupt, sickly sentiment!"
She was still mentally rehearsing the last days before her departure, the going to and fro from shop to shop, the interesting consultations with Monsieur Worth, the affected face with which that eminent artist put his finger to his lip, while attending the ladies to their carriage, and continued to 'compose' Gabrielle's wedding dress, murmuring to himself with his English accent: "Oui, oui, une orginalité distahnguée c'est ce qu'il fant," while sleek young clerks, and young girls faultless in figure, displayed to the best advantage the richest costumes, trailing about silks and satins of fabulous elegance.
"Ce n'est pas cela, qui ferait votre affaire, Madame la Comtesse je le sais bien," said Mons. Worth pointing to certain monstrosities devised for American parvenus, "ah, Madame la Comtesse cannot imagine, how hard it is for an artist to have to work for people of no taste! Ah oui, une originalité distahnguée!"
The man-milliner's, monotonous refrain kept sounding on in Zinka's ears. Then she thought of the farewell visits, the daily heap of cards filling the great copper salver in the vestibule, the wearisome farewell entertainments, and of her husband's toast--the toast which he proposed at the magnificent banquet, given in his honour, by the Austrian Hungarians in Paris. Unutterably distasteful as it always is to men of his stamp, to be conspicuous, he at last made up his mind to propose this toast; he worked at it for an entire week, and subjected it to the criticism, not only of his wife and of his daughter, but of every one whose judgment he respected in Paris. It was a masterpiece of a toast, a toast designed to unite in brotherly affection all the Austrians in Paris, and which ultimately, with its well-meant, many-sided compliments gave occasion for dissatisfaction to every member of the Austrian-Hungarian colony, whether conservative or liberal. Zinka laughed to herself as she recalled that poor misunderstood toast. She laughed outright, started, and--awoke--rubbed her eyes and looked out.