"Do not be in the least uneasy," said the general. But Zinka stopped short; her face was pale and quivering; Sterzl interposed:
"It is often a little difficult to follow my sister's vagaries," he said turning to Sempaly; then he tenderly stroked her golden head with his large, firm hand, saying: "Do not be unhappy, sweetheart; but you are a little too much of a goose for your age."
When presently Sempaly had quitted the hotel with the general his first words were: "Tell me, how is it that with such a fool of a mother that child has remained so angelically fresh--so Botticelli?"
CHAPTER V.
A mine somewhere in Poland or Bohemia came to grief about this time by some accidental visitation, and five hundred families were left destitute through the disaster. Of course the opportunity was immediately seized upon for charitable dissipations, for qualifying for Orders of Merit by liberal donations, and for attracting the eyes of Europe by the most extravagant display of philanthropy. After much deliberation Countess Ilsenbergh had arrived at the conviction that, as both the ambassadors' families were hindered by mourning from giving any public entertainment, the duty of taking the lead devolved upon her. The rooms in her Palazzo were made on purpose for grand festivities, and after endless discussion it was decided that the entertainment should be dramatic. An Operetta, a Proverbe by Musset, and a series of Tableaux Vivants were finally put in rehearsal and a collection was to be made after the performance.
Madame de Gandry threw herself into the undertaking with the most commendable ardor. She was on intimate terms with the leading spirits at the Villa Medici--the French Academy of Arts at Rome--and she interested herself in the painting of the scenes, and in the artistic designing of the dresses in which she proved invaluable. Up to a certain point all went smoothly. The operetta--an unpublished effort of course--by a Russian amateur of rank who was very proud of not even knowing his notes, was soon cast. It needed only three performers and led up to the introduction of an elaborate masquerade and of certain suggestive French songs. Mrs. Ferguson, who never let slip an opportunity of powdering her hair and sticking on patches, was to sing the soprano part; Crespigny took that of a husband or a guardian in a nightcap or flowered dressing-gown, and a young French painter, M. Barillat, who was at all times equally ready to sketch or to wear a becoming costume, was to fill that of the lover. The cast of the little French play was equally satisfactory; but when the arrangement of the tableaux came to be considered difficulties arose. In the first place all the ladies were eager to display their charms under the becoming light of a tableau vivant; and the number of volunteers was quite bewildering to the committee of management that met every day at the Ilsenberghs' house. Then squabbles and dissatisfaction arose; the ladies did not approve of the choice of subjects, they thought their dresses unbecoming, their positions disadvantageous; each one to whom a place at the side was assigned was deeply aggrieved; an unappreciated beauty who prided herself on her profile from the left would not for worlds be seen from the right, etc., etc. And above all--an insuperable difficulty--almost all the available men of the set manifested the greatest objection to 'making themselves ridiculous' and positively rejected the most flattering blandishments of the ladies' committee. Sempaly, who had been asked to appear as a Roman emperor, would not hear of putting on flesh-colored tights and a wreath of vine; and Truyn had shrugged his shoulders at the proposal that he should don a wig with long curls.
Siegburg--little Siegburg, as he was always called, though he was nearly six feet high--after defending himself with considerable humor, good-naturedly agreed to stand as Pierrot, in a Watteau scene in which the Vulpini children were to appear; and Sterzl, being personally requested by his ambassador, submitted, though with an ill grace, to be the executioner in Delaroche's picture of Lady Jane Grey. This tableau was to be the crowning glory of the performance; Barillat had taken infinitely more pains with it than with any other; the part of Lady Jane was to be filled by a fair English girl, Lady Henrietta Stair; and then, within a few days of the performance, Lady Henrietta fell ill of the measles.
The committee were in despair when this news reached them, and all who were concerned in the performance were summoned to meet at the Palazzo that evening to talk the matter over. Hardly any one was absent; only Sterzl, who detested the whole charity scramble, as he called it, sent his excuses. Every lady present expected to find herself called upon to stand--or rather to kneel--as Lady Jane Grey; but Mrs. Ferguson was the first to give utterance to the thought, and to offer herself heroically as Lady Henrietta's substitute. To the astonishment of all the company Sempaly, whose interest in the work of benevolence had hitherto displayed itself only in satirical remarks, and suggestions as to the representation of Makart's 'entrance of Charles V.' or of Siemiradzky's 'living torches,' took an eager part in the discussion.
"Your self-sacrifice, Mrs. Ferguson," said he, "is more admirable every day."
"Dear me," replied the lady innocently, "where is the self-sacrifice in having an old gown cut up into a historical costume?"