Neither the honours with which he was everywhere overwhelmed, nor his performances as a musician, had any effect in spoiling the unsophisticated nature of the boy; he was always bright and animated, full of jokes and merry absurdities, and retaining a strong attachment to home and the home circle amid all the distractions of the journey. In his letters to his sister, he falls into a ludicrous jargon, composed of any number of different languages, and of childish jokes and teasings, after the manner of brothers and sisters who have grown up together and are under no sort of restraint in their intercourse.
But whenever the subject is connected with music, through all the joking tone can be traced a lively interest and a INSPRUCK—ROVEREDO, 1770. decided and impartial judgment; and the whole tone of his letters breathes hearty sympathy and amiability. Fortunate circumstances and a sensible education had combined with the happiest result; and there can be no doubt that the concentration of Mozart's early training on one object had the indirect effect of keeping at a safe distance much that might have been hurtful to his disposition.
The father and son left Salzburg at the beginning of December, 1769.[8] Many threads of personal recommendation stretched thence into the Tyrol and upper Italy, partly from mercantile connections, partly through the noble families belonging to the Cathedral Chapter, and the travellers had introductions which gained them admittance into widely different circles. Their first stay was at Inspruck, where they were well received by Count Spaur, brother to the Salzburg Capitular. On December 14, at a concert given by the nobility at the house of Count Künigl, Wolfgang played a concerto at sight, which had been put before him as a test of his skill; at the close he was presented with it, and twelve ducats in addition. The Inspruck newspaper testified (December 18) that "Herr Wolfgang Mozart, whose extraordinary musical attainments have made him famous alike in the imperial court, in England, France, Holland, and throughout the Holy Roman Empire," had given in this performance the most convincing proofs of his marvellous skill. "This youthful musician, who is just thirteen years old, has added fresh brilliancy to his fame, and has commanded the unanimous approbation of all musical connoisseurs."
As soon as they entered Italy the marks of honour with which the young artist was received became more animated and enthusiastic. At Roveredo the nobles arranged a concert at the house of Baron Todeschi, who had known Mozart at Vienna. "There is no need to say how Wolfgang is received," writes his father. When he wanted to play the organ at the principal church, the report of it spread through THE ITALIAN TOUR. the town, and the church was so full that it took two strong men to clear the way to the choir, and then it was a quarter of an hour before they could get to the organ, they were so besieged by the audience.
The enthusiasm in Verona was still greater. As there was an opera every evening, a week elapsed before a concert could be arranged; but in the meantime invitations poured in from the Marchese Carlotti, Count Giusti del Giardino, Locatelli, &c.
Wolfgang performed a symphony of his own composition before a select assembly of connoisseurs, besides playing difficult pieces at sight, and composing a song to some dictated words, which he afterwards sang. The scene at Roveredo was repeated when he went to play the organ at St. Thomas's Church. The press was so great that they were obliged to get into the church through the monastery, and even then they could hardly have reached the organ had not the monks formed a ring round them, and so made a way through the crowd. "When it was over, the noise was still greater, for every one wanted to see the little organist."
Newspapers and poets vied with each other in extolling the marvellous apparition. The Receiver-General, Pietro Lugiati, chief among intellectual dilettanti, caused a life-size portrait of Wolfgang at the clavier to be painted in oils, and acquainted his mother with this honour in a long letter which contained warm expressions of admiration for the "raro e portentoso giovane."[9]
On January 10 they entered Mantua well and hearty in spite of the cold; but Wolfgangerl looked, his father said, owing to the fresh air and the heat of the stove, "as if he had gone through a campaign, a sort of reddish brown, particularly round the eyes and mouth, something like his Majesty the Emperor." Here too, they were warmly received by all the distinguished dilettanti of the place; Signora Bettinelli in especial lavished all a mother's care on PROGRAMME OF CONCERT AT MANTUA, 1770. the boy, and wept at parting from him. A Signora Sartoretti invited them to dine with her, and sent by her servants a vase with a beautiful bouquet tied with red ribbon, and in the middle of the ribbon a piece of four ducats folded in a poem addressed by the Signora to Wolfgang.
On January 16, the concert of the Philharmonic Society was given in their capital hall, Wolfgang being the principal performer. The programme, which we append, gives some idea of Wolfgang's performances in Italy.
Serie delle composizione musicali da eseguirsi nell' accademia pubblica filarmonica di Mantova la sera del di 16 del corrente Gennajo, 1770.