18 ([return])
[ Niemetschek, p. 40.]
19 ([return])
[ Every "Teutsche" has its "Alternativo," and they are united into a connected whole, as Mozart especially remarks in a description of them. The close is formed by a somewhat lengthy coda, and they are for the most part lightly thrown together, with no pretension but to incite to the dance. He remarks at the end, "As I do not know of what kind the Flauto piccolo is, I have put it in the natural key; it can at any time be transposed." A pianoforte arrangement in Mozart's handwriting is in André's collection.]
20 ([return])
[ Niemetschek, p. 96. 1]
FOOTNOTES OF CHAPTER XXXVIII.
1 ([return])
[ Da Ponte, Mem., I., 2 p. 98.]