111 ([return])
[ Sonnenfels, Ges. Schr., III., p. 139. Pohl showed me a printed table of contents, without date or place: "Das steineme Gastmahl, oder die redende Statue sammt Arie welche Hanns-Wurst sin get, nebst denen Versen des Ere-miten und denen Verzweiflungs-Reden des Don Juans bey dessen unglücksee-ligen Lebens-Ende.">[
112 ([return])
[ Three puppet plays from Augsburg, Strasburg, and Ulm have been published by Scheible (Das Kloster, III., p. 699); they are very mediocre. Molière's "Don Juan," as an opera for puppets, was played in Hamburg in 1774 (Schletterer, Deutsch. Singsp., p. 152).]
113 ([return])
[ Dictionnaire des Théätres, II., p. 540.]
114 ([return])
[ Mém. sur les Spectacles de la Foire, I., p. 153.]
115 ([return])
[ Schmid, Gluck, p. 83. Castil-Blaze conjectures (I., p. 265) that this ballet was written in Parma, in 1758. Sara Goudar, in her Remarques sur la Musique Italienne et sur la Danse (Paris, 1773), writes about Gluck: "Gluck, Allemand comme Hasse, l'imita [Jomelli]; quelquefois même le surpassa, mais souvent il fit mieux danser que chanter. Dans le ballet de Don Juan, ou Le Festin de Pierre, il composa une musique admirable" (Ouvr. Mèl., II., p. 12). Printed before Wollank's pianoforte score, and in Lobe's Flieg. Blàtt. f. Mus., I., p. 122.]