127 ([return])
[ Here, doubtless, was inserted the quartet, "Non ti fidar o misera," composed by Cherubini for the performance in Paris in 1792 (Scudo, Crit. et Litt. Mus., I., p. 181). Not. de Manuscr. Autogr. de Cherubini, pp. 12, 101.]
128 ([return])
[ For a performance at Ferrara, Ferrara is substituted for Venezia.]
129 ([return])
[ Atto solo is on the title-page instead of secondo, which is struck out; on the second scene is Atto secondo, and the finale is superscribed Finale secondo. On the other hand, the scenes are continuously numbered from 1 to 24. I can only suppose that an earlier version has been abridged for representation.]
130 ([return])
[ A "Don Giovanni" ascribed to Cimarosa is the result of a mistake; his opera, "ü Convito," composed in 1782, is an adaptation of Goldoni's "Festino," and has nothing to do with Don Juan (Castil-Blaze, p. 267).]
131 ([return])
[ When Sonnleithner had succeeded in obtaining the books of the words printed for the first performances in Prague and Vienna, he published a reprint of the first with the alterations and omissions of the second, together with all the scenic remarks written by Mozart on his score. "ü Dissoluto Punito, ossia il Don Giovanni. Dramma giocoso. Poesia di Lorenzo da Ponte." Leipzig, 1865.]