26 ([return])
[ Thus Hiller not only rearranged the instrumentation of Pergolese's "Stabat Mater," but adapted it partially as a four-part chorus; J. A. Schulze turned six instrumental adagios, by J. Haydn, into a cantata, "Der Versöhnungstod," for chorus and orchestra. And how was Mozart's church music treated! (App. 2.)]
27 ([return])
[ Gerber undertook, in all seriousness, to perform the choruses of the "Messiah" in Mozart's version, but to have all the airs recomposed by approved composers (A. M. Z., XX., p. 832).]
28 ([return])
[ The conclusion to Gluck's overture to "Iphigenie in Aulis," which has been, without proof, ascribed to Mozart, is, according to Marx (Gluck, II., p. 71), by J. P. Schmidt.]
FOOTNOTES OF CHAPTER XL.
1 ([return])
[ A proof of this is a note of hand for 100 florins, dated April 2, 1789. Cf. O. Jahn, Ges. Aufs., p. 234.]