30 ([return])
[ Pohl, Mozart u. Haydn in London, p. 146. Parke, Mus. Mem., II., p. 259.]
31 ([return])
[ A. M. Z., XLIV., p. 750.]
32 ([return])
[ The autograph score is arranged and written quite in Mozart's usual manner. The recitative of the scena (XI. and XII.), [the duet (29), completed by a strange hand, exists in Mozart's manuscript], the serenade (21), the accompanied recitative for Fiordiligi before the air (25), and the whole of scena (XIII.) of the second act, besides some extra sheets for the wind instruments, are wanting.]
33 ([return])
[ B. A. Weber declared after the performance in Berlin (Mus. Monatsschr., 1792, p. 137): "After the 'Marriage of Figaro,' this opera is indisputably the finest. The concerted pieces more especially have a beauty and an expression which can be rather felt than described.">[
34 ([return])
[ Journ. d. Mod., 1792, p. 504: "The opera in question is the most absurd stuff in the world, and only sought after on account of the excellence of the music.">[