60 ([return])
[ The minor key is employed only in Don Alfonso's caricatured air (5) in the poisoning scene of the second movement of the first finale, and very cursorily in Ferrando's air (27).]
61 ([return])
[ The change of key, simple though it is, is more marked than in the first finale of "Figaro " and "Don Juan." G minor follows D major, then E flat major, C minor, G major, then immediately B flat major, and again without transition D major.]
62 ([return])
[ The canon was originally more spun out, and Guillelmo, having vented his wrath in parlando, was to take up the theme against Dorabella; but Mozart rightly gave up the idea, and struck out the bars he had already written.]
63 ([return])
[ Cf. Gugler, Morgenblatt, 1856, No. 4, p. Si.]