56 ([return])
[ The alleged reminiscence in the first finale in "Titus" of the great scene in "Idomeneo" (24) (A. M. Z., I., pp. 54, 152) is not supported by a closer examination.]
57 ([return])
[ A. M. Z., IV., p. 822.]
58 ([return])
[ Deutschland, I., p. 269; II., p. 363. Reichardt, to whom this article was ascribed (Mus. Ztg., 1805, I., p. 6), declared that the criticism on Mozart's arrangement of the "Messiah," which had been attributed to Reichardt, was no more by him than many other reviews of Mozart's works for which he had been attacked during many years past with great acrimony.]
59 ([return])
[ A. M. Z., I., p. 154.]
60 ([return])
[ Reichardt, Mus. Ztg., II., p. 123. Parke, Mus. Mem., II., p. 3. Pohl, Mozart u. Haydn in London, p. 145.]