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[ The sister and heiress of Count Walsegg, the Countess Sternberg, sold his collection of music to his steward, Leitner, from whom the score of the Requiem was obtained by his clerk, Karl Haag; it was bequeathed by the latter to Katharina Adelpoller. Commissary Novak, of Schottwien, who had formerly been steward to Count Walsegg, drew the attention of Count Moritz von Dietrichstein, Imperial Librarian, to the existence of the treasure, and it was purchased for fifty ducats and placed in the Library.]
9 ([return])
[ A. M. Z., XLI., p. 81. N. Ztschr. f. Mus., X., p. 10. Cäcilia, XX., p. 279.]
10 ([return])
[ J. F. von Mosel, Ueber die Original-Partitur de Requiem von W. A. Mozart (Wien, 1839). Cf. A. M. Z., XLI., p. 317.]
11 ([return])
[ Niemetschek, who had his information from the widow, says that directly after Mozart's death the messenger demanded and received the work, "incomplete as it was" (p. 52). The Count himself signified that the Requiem was only Mozart's as far as the Sanctus.]
12 ([return])
[ Càcilia, IV., p. 288.]