29 ([return])
[ The minor compositions of the "Ave verum corpus" (Vol III., p. 281) and the Freemasonic Cantata (Vol. II., p. 408) complete this parallel.]
30 ([return])
[ Cf. Lorenz, Deutsche Mus. Ztg., 1861, p. 257. A. Hahn, Mozart's Requiem (Bielef., 1867). Kriebitzsch, Fur Freunde d. Tonk., p. 61.]
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[ Mich. Haydn has introduced the same into his unfinished Requiem, at the words "Te decet hymnus"; according to Rochlitz (A. M. Z., IV., p. 7) and Zelter (Briefw. m. Goethe, IV., p. 353 ) the chorale "Meine Seel erhebet den Herrn," is sung to this melody. The treatment of this passage is decided by the ritual. In Jomelli's Requiem both verses of the Psalm are intoned, in Hasse and Zelenka the first ("Te Jerusalem" in Asola; Proske's Musica Divina) only the words "Te decet hymnus in Sion in Pitoni both verses are freely composed.]
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[ Rochlitz, Fur Freunde der Tonknnst, I., p. 159. A detailed analysis is given by Lobe (Compositionslehre, III., p. 195).]
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[ According to Kàgeli the violent changes of key and arbitrary alternations of major and minor have turned the fugue into a barbarous confusion of sounds (Vorlesungen üb. Musik., p. 99).]