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[ At Leipzig, in memory of Schicht, in 1823; at Berlin, in memory of Andr. Romberg, in 1821; of Bemh. Klein, in 1832; of Ludwig Berger, 1839; in Vienna, in memory of C. M. von Weber and Beethoven; and in Munich, 1867, in memory of P. von Cornelius.]
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[ Zelter, Briefw. m. Goethe, VI., p. 243.]
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[ Rochlitz has attempted to prove (A. M. Z., XXV., p. 685) how Vogler, in composing his Requiem, had Mozart's always in view, in order to avoid imitating it; a similar negative influence is apparent in Cherubini's magnificent Requiem in C minor, with which the second in D minor is quite in keeping (Cf. Gum-precht, Recensionen, 1864, No. 21).]
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[ Berl. Mus. Ztg., 1805, p. 26.]
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[ A lover of music in Venice left a considerable legacy for the performance annually of three Requiems, of which one was to be Mozart's (A. M. Z., XLII., p. 54). A society was founded at' Senftenberg in Bohemia, 1857, in order to perform Mozart's Requiem annually on June 18 (N. Wien. Mus. Ztg., 1857, p. 167; Niederrh. Mus. Ztg., 1857, p. 343).]