19 ([return])
[ Niederrh. Mus. Ztg., 1855, p. 398; 1856, pp. 296, 303; 1857, p.232.]
20 ([return])
[ Rochlitz, Raphael u. Mozart (A. M. Z., II., p. 641). Alberti, Raphael u. Mozart: eine Parallele (Stettin, 1856).]
21 ([return])
[ The different conceptions that are here possible is seen from Carpani's having bracketed in a comparison of Painters and Musicians (Le Haydine, p. 215) Pergolese and Raphael, Mozart and Giulio Romano. Beyle compares Mozart with Domenichino (Vie de Haydn, p. 260).]
22 ([return])
[ Fr. Horn, A. M. Z., IV., p. 421.]
23 ([return])
[ Th. Kriebitzsch, Poeten u. Componisten (A. M. Z., L., p. 545; Für Freunde d. Tonk., p. 52). He puts down the "Messiah" as Mozart's—no doubt without reflection.]