Hindus accuse the Mussulman population of introducing the system: Mussulmans point to the more rational habit of other Islamic countries and lay the charge to the door of the Rajput nobility. Whatever may have been the original cause, the results are sometimes ludicrous and injurious. Applied as it is in the houses of nobles and rich merchants, the custom is sufficiently tolerable and even advantageous. The ladies have gardens in which to exercise their limbs: they drive in screened carriages to see the town or enjoy the country breezes; they have liberty to visit at all hours the houses of their women friends and profit by their conversation. They have light and air and reasonable freedom. Like many other points of aristocratic ceremony, the practice of seclusion is valued largely by the inconvenience it causes to others. It needs little knowledge of feminine nature to appreciate the pleasurable sense of dignity it causes the wealthy purdah lady when, at a visit, she sees all male servants and even the owner of the house sent hurrying to hide in remote corners while she makes her stately progress from her carriage to her friends’ apartments. On her travels she notes with pride the tumult in the crowded station when sheets are held across the platform to seclude her from stranger eyes as she slowly strolls to her compartment. But to apply the same etiquette to the middle and the poorer classes is little short of madness. Yet there are many parts of India, where the Mussulman population, and especially their womankind, insist with melancholy pride on these observances, whatever their poverty and decay. There are found in little crumbling mud-hovels, clinging to the base of ancient forts and palaces, women who spend their useless lives crouched in a dark ill-smelling room, where the light of day and the breath of energy and aspiration can never reach them. They bear feeble children: fall sick of a decline or internal ailments: and go out in premature senility like a candle in a choked tunnel. Fortunately the sturdy Mussulman peasantry of the north know nothing of these follies: nor in Káthiawád and Gujarát do the Mussulman artisans, who are here pictured, ruin their homes by this disastrous aping of an aristocracy. But even with this drawback—one maintained, it must be remembered, mainly by the same feminine lust for pride and precedence which in England keeps the clerk’s wife from cooking a dinner—it is in general true that the rationalism of the system has produced mutual respect and affection, together with much courtesy and chivalry, between the sexes.

The Afghan or Pathan woman is in many ways apart from her Mussulman sister of the real India of the plains. Strong, virile, courageous, but treacherous and illiterate, the Afghan tribes are still narrowly within the pale of savagery. They are hillmen, living in secluded valleys or rocky fastnesses, with the virtues of their kind, but far removed from those urbane polities which in all languages and races have set the type of civilization. In Islam the word for civilization is as much derived from the word for “city,” “Medinah,” as in the languages that trace their descent from the Latins. Of gentler qualities the Afghans have no share. But they have strong passions, great thirst for love, and the freeman’s respect for others’ freedom. The woman is caressed and petted, loved with a passionate love, loaded with gifts, and then—when old age breaks her vigour—too often cast aside with the callous thoughtlessness of the savage. The men are jealous and she lives always under the shadow of a knife, the long, thin, sharp-edged knife of the Pathan, so quickly drawn across the throat at the first whisper of dishonour. Herself passionate and hot-tempered, she too blazes out in sudden rages, and the small dagger that she carries is not unseldom used. Passion and excitement, quick pulsing heart-beats, fiery love, splashing like scarlet flames upon the dusty background, and then the slow neglected downward track of old age, that is the Afghan woman’s life.

Mostly she is chaste and clings to her own man, till the last bullet catches him full in the chest and his life gurgles out with the bubbling blood. But she can also love greatly and superbly, like the fine full-blooded creature that she is. There was such a girl once, a child merely, fifteen years old, who from the barred windows of her father’s house at Kabul, saw a young English officer ride past on his charger with the ill-fated expedition. She came of royal stock and her father was a chieftain of rank in the Amir’s service. Yet she learnt the officer’s name, who can say with how many precautions and terrors: and found he was still unmarried. When the troops left, she crept forth too, this child of fifteen, and turned her face from her father’s house and her people to follow the man she had chosen. She found her way across the mountains by the wind-bitten passes, with little food or shelter, till she reached the deserts of Sind and the wide stretches of the Indus. Not till then was she safe from the avenging dagger. Then slowly she traced her road till she came to the port of Karachi. And there, in the new cantonment, with its strange avenues and houses, she found the man whom she had sought. He, happily, was rich and of distinguished family. He heard her story and married the brave girl who had dared so much for his love. Then he brought her to England and had her taught and trained, and she found favour at Court, and their lives were happy.

Such the Afghan woman can be. The love which she gets—and gives—echoes in the poetry of Lawrence Hope.

“You are all that is lovely and light,

Aziza,—whom I adore,

And, waking after the night,

I am weary with dreams of you.

Every nerve in my heart is tense and sore

As I rise to another morning apart from you.