Another sanctuary of Vesta existed in Lavinium, the metropolis of the Latins, where the Roman consuls, after entering on their office, had to perform a solemn sacrifice. The festival of Vesta was celebrated on the 9th of June, on which occasion the Roman women were wont to make a pilgrimage barefooted to the temple of the goddess, and place before her offerings of food.

In the domestic life of the Romans the hearth and the hearth-goddess Vesta occupied as important a position as among the Greeks. The worship of Vesta is closely connected with that of the Penates, the kindly, protecting, household gods, who provided for the daily wants of life, and about whom we shall have more to say before concluding the subject of the gods.

Fig. 22.—Vesta Giustiniani. Torlonia Collection.

Agreeably to the chaste, pure character of the goddess, she could only be represented in art with an expression of the strictest moral purity; she generally appears either sitting or standing, her countenance characterised by a thoughtful gravity of expression. Her principal attributes consist of the votive bowl, the torch, the simpulum, or small cup, which was used in making libations, and the sceptre. In consequence of the dignity and sanctity of her character, she was always represented as fully clothed, which may account for the fact that the ancients had so few statues of the goddess. We may, therefore, consider it fortunate that such a splendid example as the Vesta Giustiniani, which belongs to the private collection of Prince Torlonia, at Rome, has come down to us. It is supposed to be an original work of the best period of Greek art. The goddess is represented as standing in a calm posture, her right hand pressed against her side, whilst with the left she points significantly towards heaven, as though wishing to impress on mankind where to direct their prayers and thoughts (Fig. 22).

11. Janus.—Among the most important gods of the Romans was the celebrated Janus, a deity quite unknown to the Greeks. In his original character he was probably a god of the light and sun—the male counterpart, in fact, of Jana, or Diana, and thus very similar to the Greek Apollo. As long as he maintained this original character, derived from nature, he was regarded as the god of all germs and first beginnings, and possessed, in consequence, an important influence both on the public and private life of the Romans. We must confine ourselves to mentioning some of the most important traits resulting from this view of his character. First, Janus is the god of all beginnings of time. He begins the new year, whose first month was called January after him, and was dedicated to him. Thus, New Year’s Day (Kalendæ Januariæ) was the most important festival of the god; on this occasion the houses and doors were adorned with garlands and laurel boughs, the laurel being supposed to exercise a potent influence against all magic and diseases. Relatives and friends exchanged small presents (principally sweets; for example, dates and figs wrapped in laurel leaves) and good wishes for the coming year. The god himself received offerings of cake, wine, and incense, and his statue was adorned with fresh laurel boughs. This offering was repeated on the first day of every month, for Janus opened up every month; and as the Kalends were sacred to Juno, he was therefore called Junonius. In the same way Janus was supposed to begin every new day, and called Matutinus Pater. He also appears as the doorkeeper of heaven, whose gates he opened in the morning and closed in the evening.

From being the god of all temporal beginnings, he soon became the patron and protector of all the beginnings of human activity. The Romans had a most superstitious belief in the importance of a good commencement for everything, concluding that this had a magical influence on the good or evil result of every undertaking. Thus, neither in public nor private life did they ever undertake anything of importance without first confiding the beginning to the protection of Janus. Among the most important events of political life was the departure of the youth of the country to war. An offering was therefore made to the god by the departing general, and the temple, or covered passage sacred to the god, was left open during the continuance of the war, as a sign that the god had departed with the troops and had them under his protection. The consul never neglected, when he entered on his office, to ask the blessing of Janus, and the assemblies never began their consultations without invoking Janus. In the same way the private citizen, in all important occurrences and undertakings, sought by prayers and vows to acquire the favour of Janus. The husbandman, before he commenced either to sow or to reap, brought to Janus Consivius an offering of cake and wine. The merchant, when he entered on a journey of business, and the sailor, when he weighed anchor and started on a long and dangerous voyage, never omitted to invoke the blessing of the god. This view of the god also explains the custom of calling on Janus first in every prayer and at every sacrifice, since, as keeper of the gates of heaven, he also appeared to give admittance to the prayers of men.

As the god of all first beginnings, Janus is also the source of all springs, rivers, and streams of the earth. On this account the fountain nymphs were generally looked on as his wives, and Fontus and Tiberinus as his sons.

The power of Janus in causing springs to rise suddenly from the earth was experienced, to their cost, by the Sabines. The latter, in consequence of the rape of their women, had overrun the infant state of Rome, and were about to introduce themselves into the town on the Palatine through an open gate, when they suddenly found themselves drenched by a hot sulphur spring that gushed violently from the earth, and were obliged to retire.

In the legend alluded to, Janus appears as the protector of the gates of the city. As the god who presided over the fortunate entrance to and exit from all houses, streets, and towns, Janus was held in high honour among the people. His character as guardian of gates and doors brought him into close connection with the Penates and other household gods; hence the custom of erecting over the doors an image of the deity with the well-known two faces, one of which looked out and the other in.