The mythology of Greece and Rome, with special reference to its use in art

by Otto Seemann

Closely connected with the royal family of Crete we find Dædalus, the most celebrated artist of the legendary period. He is said to have been a son of Metion, and a descendant of Erechtheus, and to have fled from Athens to Crete after murdering his nephew Talus in a fit of professional jealousy. During his residence in Crete he constructed the Labyrinth, an underground building with an endless maze of passages, as a dwelling-place for the Minotaur; besides many other wonderful works of art. For having aided Theseus in his combat with the Minotaur, Dædalus and his son Icarus were both imprisoned in the Labyrinth of Minos. The story of his flight, which he accomplished by means of the artificial wings that he made for himself and his son, is well known from the Metamorphoses of Ovid. Icarus fell into the sea that is named after him, and was drowned, but Dædalus reached Cumæ in safety. From this place he passed over to Sicily, where he was hospitably received by Cocalus. When Minos, however, pursued the fugitive and demanded his surrender, not only was his request refused, but he was even put to death by the contrivance of the king’s daughters.

Of the other sons of Minos, Deucalion is celebrated as having taken part in the Calydonian boar hunt, and also as the father of the hero Idomeneus, who fought against Troy. Glaucus was killed, while yet a boy, by falling into a cask of honey as he was pursuing a mouse. He is reported, however, to have been restored to life by the Corinthian augur Polyidus, or, according to others, by Asclepius himself.

2. Talos.—The legend of Talos, the brazen man, betrays likewise a Phœnician origin, and refers to the cruel practice of offering human sacrifices. This Talos was made of brass, and was invulnerable. Hephæstus, or, as others say, Zeus gave him to Minos as guardian of the island of Crete, round which he travelled thrice a-day. If he perceived any strangers approach he would spring into the fire, and, after becoming red-hot, he would clasp them to his breast, until they expired beneath the sardonic chuckle of the demon. He attempted to drive off the Argonauts with stones, but was destroyed by the skill of Medea. Talos had a single vein, which ran from his head to his feet, and was closed at the top with a nail. This nail Medea cleverly succeeded in extracting, in consequence of which Talos bled to death.

IV.—COMBINED UNDERTAKINGS OF THE LATER HEROIC AGE.

1. The Calydonian Hunt.—The story of Meleager and the Calydonian boar hunt was undoubtedly, in its origin, nothing more than a provincial myth based on natural phenomena, like other myths that we have already explained. In this case the physical significance involved in the myth soon disappeared, owing to the treatment it received at the hands of the epic and dramatic poets. The poets, in fact, succeeded in introducing some striking ethical conceptions, which absorbed all higher interest.

Œneus, king of Calydon in Ætolia, on the occasion of a great festival which was celebrated after a successful vintage, had accidentally or purposely omitted to sacrifice to Artemis. To punish this neglect she sent a huge wild boar, which devastated the fields of Calydon, and seemed invincible by any ordinary means on account of its vast size. Meleager, the brave and heroic son of Œneus, therefore assembled men and hounds in great number to slay it. The boar was slain; but Artemis stirred up strife over the head and hide between the Ætolians and the Curetes of Pleuron. At first the former were victorious; but when Meleager withdrew in wrath from the battle because his mother had cursed him for the death of her brother, they were no longer able to keep the field, and soon saw their city closely invested by their enemies. In vain did the elders and priests of Calydon beseech Meleager; in vain did his father, sisters, and even mother beseech him to aid his hard-pressed countrymen. Like Achilles in the Trojan war, when he was wroth with Agamemnon on account of the loss of Briseis, Meleager long refused to stir. At last his wife—the beautiful Cleopatra—succeeded in moving him. He donned his armour, and put himself at the head of his countrymen for a sally against the besiegers. Brilliant, indeed, was the victory of the men of Calydon; but the hero Meleager did not return from the battle, for the cruel Erinyes, who had heard his mother’s curse, destroyed him with the arrows of Apollo.

Such is the earliest form of the legend, as it exists in the Iliad. In time, however, Meleager was said to have called together against the boar all the renowned heroes of Greece. Among others there came the Dioscuri, Castor and Pollux; Theseus and his friend Pirithoüs; Idas and Lynceus, the sons of Aphareus; Admetus of Pheræ; Jason, from Iolcus; Iphicles and Iolaüs, from Thebes; Peleus, the father of Achilles; Telamon, from Salamis; Ancæus and the beautiful huntress Atalante (Atalanta), from Arcadia; besides the soothsayer Amphiaraüs, from Argos. After Œneus had entertained his guests royally for nine days, the hunt began, and the huge beast, which was as large as an ox, was surrounded and driven from its lair. Atalante, the swift huntress, was the first to inflict a wound. Ancæus then advanced with his battle-axe, but the enraged beast, with one stroke of his dreadful tusks, tore open his body and killed him on the spot. At length the monster received a mortal wound from a spear hurled by the powerful arm of Meleager, and was soon despatched by the rest. Meleager received as his due the head and hide of the slaughtered animal, but resigned the prize to Atalante, of whom he was enamoured, on the ground that she was the first to wound the boar. This act excited the bitter jealousy of Plexippus and Toxeus, the sons of Thestius, king of Pleuron, and brothers of Althæa, the mother of Meleager. They accordingly lay in wait for Atalante, and robbed her of the present. Enraged at this, Meleager slew them both. But Meleager’s death, though caused by the wrath of his mother, was worked out differently in the time of the tragic poets. The Fates had appeared to Althæa, soon after the birth of Meleager, and informed her that her son would only live until a certain brand, which was then burning on the fire, was consumed. Althæa immediately snatched the brand from the flames and carefully treasured it up. After Meleager had slain her brothers, in the first outburst of grief and indignation against her son, she placed the brand again in the fire, and thus cut off the noble hero in the prime of his youth and beauty. Althæa, on learning the unhappy fate of her son, full of sorrow for her hasty deed, put an end to her own life.

2. The Argonauts.—The story of the Argonauts experienced a similar fate to that of the Calydonian hunt. It was originally nothing but a myth based on natural phenomena; but in the hands of the poets it swelled to a mass of legends common to all the tribes of Greece, the nucleus of which was the history of the golden fleece. Athamas, the son of Æolus, was king of the Minyæ. He put away his first wife, Nephele (cloud), in order to marry Ino, the daughter of Cadmus; though he still kept Phrixus (rain-shower) and Helle (ray of light), his children by Nephele, with him. By Ino he had two other children, Learchus and Melicertes, whom their mother naturally preferred to her stepchildren, and for whose sake she endeavoured to drive the latter from their father’s house. Soon afterwards, either at the command of Nephele, whom some represent as a goddess, or in consequence of her prayers for the punishment of Athamas, the land was visited with a long drought, and Ino persuaded her husband to sacrifice Phrixus as a sin-offering to Zeus, in order to put an end to the calamity. Whether Helle was to have shared her brother’s fate we cannot tell, for, before Ino could accomplish her purpose, Nephele came to the assistance of her children, and gave them a winged ram with a golden fleece, which Hermes had presented to her for that purpose. Seated on this ram they fled over the sea to Colchis. On the way Helle fell into that part of the sea which bears her name, and was drowned, but Phrixus arrived safely in Colchis (Æa), where he sacrificed the ram to Zeus, who had preserved him in his flight. The fleece he hung up in the grove of Ares as a sacred treasure, setting over it a terrible, ever-watchful dragon as its guardian. To fetch this treasure from a foreign land, and thereby to release the country and people of the Minyæ from the calamity with which they were oppressed, was the task of the heroes of the race of Æolus. Athamas was so grieved at the evil he had brought on his country that he became insane, and sought to slay Ino and her children. He did, indeed, kill Learchus by dashing him against a rock, but Ino succeeded in saving herself and her younger child Melicertes by leaping into the sea (cf. Ino Leucothea). Athamas then fled to Epirus, and the kingdom devolved on his brother Cretheus. Cretheus married Tyro, the daughter of his younger brother Salmoneus, king of Elis. Tyro bore him three sons, the eldest of whom, Æson, succeeded his father in the kingdom, but was soon after expelled by his step-brother Pelias, who is described as a son of Tyro and Poseidon. Æson with difficulty managed to rescue his little son Jason from the hands of Pelias, and brought him to the Centaur Chiron to be educated. In Chiron’s cave the young hero grew up, a favourite with gods and men. After completing his twentieth year, he betook himself to Iolcus to demand of his uncle his rightful inheritance. Pelias, not daring to use violence to the sturdy youth, endeavoured to get rid of his unwelcome guest by involving him in a most dangerous adventure. He declared that he would gladly resign the crown if Jason would recover the golden fleece from Colchis. Jason, like a true hero, at once accepted the perilous adventure. In the harbour of Iolcus he caused a large ship with fifty oars to be constructed, which he called the “Argo,” after its builder, Argus. He then called together the heroes, who had consented at his invitation to take part in the expedition. In the original version of the story, the expedition was stated to have been undertaken only by the heroes of the race of the Minyæ—such as Acastus, Admetus, and Periclymenus. At a later period, however—when the date of the expedition had been fixed at one generation before the Trojan war—no hero of any note was allowed to be absent from the undertaking. In this manner were added the Dioscuri, the sons of Boreas, Calaïs and Zetes, Telamon, Peleus, Meleager, Tydeus, Iphitus, Theseus, Orpheus, Amphiaraüs, and even Heracles. In the last case, the incongruity of allowing the hero to play only a subordinate part was soon felt, and his name was withdrawn. He was said to have been left behind in Mysia, where he had landed in order to search for his favourite Hylas, who had been carried off by the Naiads. The number of the Argonauts was finally computed at fifty, tallying with the number of oars.

The expedition proceeded from Iolcus to Lemnos, and thence through the Hellespont to Cyzicus, where they were kindly received by the Doliones. From Cyzicus they proceeded to Bithynia, where they were opposed by the Bebryces, whose king, Amycus, was slain by Pollux in a boxing match. Their greatest difficulty lay in the passage of the Bosporus, there being at the entrance of the Pontus (Black Sea) two terrible rocks, which were in constant motion—now retreating to the shore on either side, now hastily dashing together again; whence they were called the Symplegades. This occurred so rapidly that even the swiftest vessel had not time enough to get through. The Argonauts were in great perplexity. At length the blind seer Phineus, who dwelt in Thracian Salmydessus, and whose gratitude they won by delivering him from the Harpies who had tormented him, assisted them with his advice. By means of a stratagem he recommended they were enabled to bring the Argo through without any considerable damage, after which the Symplegades remained stationary. After this they stood along the south coast towards their destination, which, in the original legend, appears to have been the utterly fabulous Æa, subsequently converted into Colchis. This was the residence of the mighty king Æetes, a son of the sun-god. To rob him, either by craft or by violence, of the golden fleece was the task of Jason, the leader of the Argonauts.

The second prominent character in the story, Medea, the daughter of Æetes, now makes her appearance. It was, in fact, only through her love that Jason was enabled to surmount the vast obstacles which stood between him and the possession of the golden fleece. When the hero demanded the fleece of Æetes, the latter declared that he would deliver it up to him after he had accomplished two tasks. The first was to harness two brazen-footed, fire-breathing bulls, which Æetes had received from Hephæstus, to a plough, and with them to till an uncultivated field. The second was to sow in the furrows the dragon’s teeth that Æetes would give him, and to destroy the armed men which would then spring up. Jason’s heart failed him on hearing these conditions, but Medea, who was an enchantress and priestess of Hecate, was equal to the occasion. She gave the hero a magic salve to protect him against the fiery breath of the bulls and to endow him with invincible strength, which enabled him to accomplish his first task successfully. In the case of the armed men who sprang from the dragon’s teeth, by the advice of Medea he followed the example of Cadmus, and cast among them a heavy stone, whereupon in blind fury they turned their arms against each other, and were all destroyed.