The mythology of Greece and Rome, with special reference to its use in art

by Otto Seemann

PART II.—THE GODS.

I.—THE GODS OF OLYMPUS.

A.—SUPERIOR DEITIES.

1. Zeus (Jupiter).—Chief of the celestial deities is Zeus, called by the Romans Jupiter, the controller and ruler of the universe. As being the god of heaven par excellence, the “Skyfather,” he is to both nations the source of all life in nature, and from his gracious hand are shed blessing and abundance. All the phenomena of the air were supposed to proceed from him. He gathers and disperses the clouds, casts forth his lightning, stirs up his thunder, sends down rain, hail, snow, and fertilising dew on the earth. With his ægis—an impenetrable shield hung with a hundred golden tassels, in the midst of which the fearful head of the Gorgon is fastened—he produces storm and tempest. The ægis, though often meaning shield, is properly a goat-skin fastened to and supporting the true shield; later it appears as a short cloak, and even as a breastplate, covered with scales, and fringed with serpents. It is not often found in representations of Zeus; though a statue of him at Leyden shows it, and in a cameo he is seen with it wrapped around his left arm: similarly it was common to wrap the chlamys or scarf round the left arm, for purposes of defence. The ægis usually belongs to Athene, who borrows it from her father in the Iliad. She is seen wearing it in Fig. 9. In this word we probably see a confusion of two ideas, different, though of similar origin; from the same root that gives us the “springing” goat we have the storm-cloud “tossed” over the sky.

The ancients, however, were not content to regard Zeus merely as a personification of Nature; they regarded him also from an ethical standpoint, from which side he appears far more important and awful. They saw in him a personification, so to speak, of that principle of undeviating order and harmony which pervades both the physical and moral world. The strict unalterable laws by which he rules the community of the gods form a strong contrast to the capricious commands of his father Cronus. Hence Zeus is regarded as the protector and defender of all political order. From him the kings of the earth receive their sovereignty and rights; to him they are responsible for a conscientious fulfilment of their duties. Those among them who unjustly exceed their powers and pervert justice he never fails to punish. Zeus, moreover, also presides over councils and assemblies, keeps watch over their orderly course, and suggests to them wise counsels. One of the most important props of political society is the oath; and accordingly, as Zeus Horkios (ὅρκιος, deus fidius of the Romans), he watches over oaths, and punishes perjury. He also watches over boundaries, and accompanies the youths of the land as they march to the defence of their country’s borders, giving them the victory over the invaders. All civil and political communities enjoy his protection; but he particularly watches over that association which is the basis of the political fabric—the family. The head of every household was therefore, in a certain sense, the priest of Zeus. It was he who presented the offerings to the god in the name of the family. At his altar, which generally stood in the middle of the court (in small households this was represented by the hearth), all strangers, fugitives, and suppliants found shelter. As Zeus Xenius (hospitalis) he protects the wanderer, and punishes those who violate the ancient laws of hospitality by mercilessly turning the helpless stranger from their door.

The superstition of early times saw in all the phenomena of the heavens manifestations of the divine will. Thus the chief deity of heaven was naturally regarded as the highest source of inspiration, and was believed to reveal his will to men in the thunder, the lightning, the flight of birds, or dreams. As the supreme oracular deity, Zeus not only had an oracle of his own at Dodona in Epirus, which was the most ancient in Greece, but also revealed the future by the mouth of his favourite son Apollo. Though he possessed no proper oracle among the Romans, yet the latter looked with all the more care and anxiety on the phenomena of the air and sky, the right interpretation of which formed a special and difficult branch of knowledge.

Zeus was the earliest national god of the Greeks. His worship extended throughout the whole of Greece, though some of his shrines had a special importance. The most ancient of them was that at Dodona, where the Pelasgian Zeus was worshipped at a time prior to the existence of any temples in Greece. He was here represented in the celebrated form of the sacred oak, in the rustling of whose branches the deity revealed himself to the faithful. He was also worshipped on the summit of Mount Tomarus, at the foot of which lay Dodona—mountain-tops being naturally the earliest seats of his worship. But all the earlier shrines were overshadowed by the great national seat of the worship of Hellenic Zeus at Olympia, on the northern banks of the river Alpheus, in Elis, where the renowned Olympian games were celebrated. The magnificent statue of Zeus, by Phidias, was an additional inducement to devotees, who flocked thither from every quarter.

Neither was the worship of Jupiter any less extensive in Italy. The most renowned of all his shrines was undoubtedly the temple erected by Tarquin on the Capitol at Rome. This, after being nearly destroyed by fire in the time of Sulla, was restored to more than its pristine splendour. The original earthen image was replaced by a statue of gold and ivory, the work of the Greek artist Apollonius, after the model of the Olympian Zeus.

Before proceeding to discuss the god as he appears in art, we must take a glance at his numerous family. The mythology of the Greeks stands in notorious contrast to that of the Romans, in attributing to Zeus a great number of mortal as well as immortal spouses, and an unusually numerous posterity. Here we must remark that, in spite of the occasional jokes of the comic poets on the numerous amours of the god, and the consequent jealousy of Hera, there was nothing farther from the intention of the Greeks than to represent the supreme deity of heaven as a sensual and lascivious being. The explanation lies partly in the great number of contemporaneous local forms of worship that existed independently of each other, and partly in the fact that the lively fancy of the Greek pictured every new production under the guise of procreation. In that part of mythology which teaches the genealogy of the gods, the earliest wife of Zeus was Metis (prudence), the daughter of Oceanus. Zeus devoured her, fearing lest she should bear a son, who would deprive him of the empire it had cost him so much to attain. It was soon after this that he produced Pallas Athene from his own head. His second goddess-wife was Themis, one of the Titans, by whom he became the father of the Horæ and the Mœræ (Fates). Dione appears as the wife of Zeus of Dodona, and the mother of Aphrodite; whilst Arcadian Zeus was wedded to Maia, by whom he had Hermes. By Demeter (Ceres) he became the father of Persephone (Proserpine, goddess of vegetation); by Eurynome, a daughter of Oceanus, of the Charites (Graces); by Mnemosyne, of the Muses; by Leto (Latona), of Apollo and Artemis. The youngest of all his divine wives, who was recognised by later mythology as his only legitimate queen, was his sister Hera. By her he became the father of Ares (Mars), Hephæstus (Vulcan), and Hebe.