From the Lady Gwendolen Chichester, St. Petersburg, to the Princess di San Zenone, Coombe-Bysset.
No, it isn't your fault, you dear little donkey: it is only the natural sequence of things. Men are always like that when the woman loves them: when she don't, they behave much better. My dear, this is just what is so annoying about love: the man's is always going slower and slower towards a dead stop, as the woman's is "coaling" and getting steam up. I borrow papa's admirably accurate metaphor: nothing can be truer. It is a great pity, but I suppose the fault is Nature's. Entre nous, I don't think Nature ever contemplated marriage, any more than she did crinolettes, pearl powder, or the electric light. There is no doubt that Nature intended to adjust the thing on the butterfly and buttercup system,—on the je reste, tu t'en vas principle. And nothing would be easier or nicer, only there are children and property. So the butterfly has to be pinned down by the buttercup. That is why the Communists and Anarchists always abolish Property and Marriage together. The one is evolved out of the other, just as the dear scientists say the horse was evolved out of a bird, which I never can see makes the matter any easier of comprehension; but, still—what was I saying? Oh, I meant to say this: you are only lamenting, as a special defalcation and disloyalty in San Zenone, what is merely his unconscious and involuntary and perfectly natural alteration from a lover into a husband. The butterfly is beginning to feel the pin which has been run through him to stick him down. It is not your fault, my sweet little girl; it is the fault, if at all, of the world, which has decreed that the butterfly, to flirt legitimately with the buttercup, must suffer the corking-pin. Now, take my advice: the pin is in, don't worry if he writhe on it a little bit! It is only what the beloved scientists again call automatic action. And do try and beat into your little head the fact that a man may love you very dearly, and yet yawn a little for the petits théâtres in the silent recesses of his manly breast. Of course I know this sort of rough awakening from delightful dreams is harder for you than it is for most, because you began at such tremendous altitudes. You had your Ruy Blas and Petrarca and the mandoline and the moonlight and the love-philtres all mixed up in an intoxicating draught. You have naturally a great deal more disillusion to go through than if you had married a country squire or a Scotch laird, who would never have suggested any romantic delights. One cannot go near heaven without coming down with a crash, like the poor men in the balloons. You have been up in your balloon, and you are now coming down. Ah, my dear, everything depends on how you come down! You will think me a monster for saying so, but it will rest so much in your own hands. You won't believe it, but it will. If you come down with tact and good humor, it will all be right afterwards; but if you show temper, as men say of their horses, why, then the balloon will lie prone, a torn, empty, useless bag, that will never again get off the ground. To speak plainly, dear, if you will receive with resignation and sweetness the unpleasant discovery that San Zenone is mortal, you won't be unhappy, and you will soon get used to it; but if you perpetually fret about it you won't alter him, and you will both be miserable; or, if not miserable, you will do something worse; you will each find your amusement in somebody else. I know you so well, my poor, pretty Gladys; you want such an immense quantity of sympathy and affection; but you won't get it, my dear child. I quite understand that the prince looks like a picture, and he has made life an erotic poem for you for a month, and the inevitable reaction which follows seems dull as ditch-water, you would even say as cruel as the grave. But it is nothing new. Do try and get that well in your mind. Try, too, and be as light-hearted as you can. Men hate an unamusable woman. Make believe to laugh at the petits théâtres if you can't really do it: if you don't, dear, he will go to somebody else who will. Why do those demi-monde women get such preference over us? Only because they don't bore their men. A man would sooner we flung a champagne-glass at his head than cried for five minutes. We can't fling champagne-glasses: the prejudices of our education are against it. It is an immense loss to us; we must make up for it as much as we can by being as agreeable as we know how to be. We shall always be a dozen lengths behind those others. By the way, you said in one of your earliest notes that you wondered why our mother ever married. I am not sufficiently au courant with pre-historic times to be able to tell you why, but I can see what she has done since she did marry. She has always effaced herself in the very wisest and most prudent manner. She has never begrudged papa his Norway fishing or his August yachting, though she knew he could ill afford them. She has never bored him with herself, or about us. She has constantly urged him to go away and enjoy himself, and when he is down with her in the country she always takes care that all the women he admires and all the men who best amuse him shall be invited in relays, to prevent his being dull or feeling teased for a moment. I am quite sure she has never cared the least about her own wishes, but has only studied his. This is what I call being a clever woman and a good woman. But I fear such women are as rare as blue roses. Try and be like her, my dear. She was quite as young as you are now when she married. But, unfortunately, in truth, you are a terrible little egotist. You want to shut up this poor young man all alone with you in a kind of attitude of perpetual adoration—of yourself. That is what women call affection: you are not alone in your ideas. Some men submit to this sort of demand, and go about forever held tight in a leash, like unslipped pointers. The majority—well, the majority bolt. And I am sure I should if I were one of them. I do not think you could complain if your beautiful Romeo did. I can see you so exactly, with your pretty little grave face, and your eyes that have such a fatal aptitude for tears, and your solemn little views about matrimony and its responsibilities, making yourself quite odious to this mirthful Apollo of yours, and innocently believing all the while that you are pleasing Heaven and saving your own dignity by being so remarkably unpleasant! Are you very angry with me? I am afraid so. Myself, I would much sooner have an unfaithful man than a dull one: the one may be bored by you, but the other bores you, which is immeasurably worse.
From the Princess di San Zenone, Coombe-Bysset, to the Lady Gwendolen Chichester, St. Petersburg.
Dear Gwen,—
How can you possibly tell what mamma did when she was young? I dare say she fretted dreadfully. Now, of course, she has got used to it,—like all other miserable women. If people marry only to long to be with other people, what is the use of being married at all? I said so to Piero, and he answered, very insolently, "Il n'y a point! Si on le savait." He sent for some more dreadful French books, Gyp's, and Richepin's, and Gui de Maupassant's, and he lies about reading them all day long when he isn't asleep. He is very often asleep in the daytime. He apologizes when he is found out, but he yawns as he does so. You say I should amuse him; but I can't amuse him. He doesn't care for any English news, and he is beginning to get irritable because I cannot talk to him in Italian, and he declares my French detestable, and there is always something dreadful happening. There has been such a terrible scene in the village. Four of the Coombe-Bysset men, two blacksmiths, a carpenter, and a laborer, have ducked Toniello in the village pond on account of his attention to their women-kind; and Toniello, when he staggered out of the weeds and the slime, drew his knife on them and stabbed two very badly. Of course he has been taken up by the constables, and the men he hurt moved to the county hospital. The magistrates are furious and scandalized; and Piero!—Piero has nobody to play billiards with him. When the magistrates interrogated him about Toniello, as, of course, they were obliged to do, he got into a dreadful passion because one of them said that it was just like a cowardly Italian to carry a knife and make use of it. Piero absolutely hissed at the solemn old gentleman who mumbled this. "And your people," he cried, "are they so very courageous? Is it better to beat a man into a jelly, or kick a woman with nailed boots, as your English mob does? Where is there anything cowardly? He was one against four. In my country there is not a night that goes without a rissa of that sort; but nobody takes any notice. The jealous persons are left to fight it out as best they may. After all, it is the women's fault." And then he said some things that really I cannot repeat; and it was a mercy that, as he spoke in the most rapid and furious French, the old gentleman did not, I think, understand a syllable. But they saw he was in a passion, and that scandalized them, because, you know, English people always think that you should keep your bad temper for your own people at home. Meantime, of course, Toniello is in prison, and I am afraid they won't let us take him out on bail, because he has hurt one of the blacksmiths dreadfully. Aunt Carry's solicitors are doing what they can for him, to please me; but I can see they consider it all peines perdues for a rogue who ought to be hanged. "And to think," cries Toniello, "that in my own country I should have all the populo with me! The very carabineers themselves would have been with me! Accidente a tutti quei grulli!" which means, "May apoplexy seize these fools!" "They were only the women's husbands," he adds, with scorn: "they are well worth making a fuss about, certainly!" Then Piero consoles him, and gives him cigarettes, and is obliged to leave him sobbing and tearing his hair, and lying face downward on his bed of sacking. I thought Piero would not leave the poor fellow alone in prison, and so I supposed he would give up all idea of going from here; and so I began to say to myself, "A quelque chose malheur est bon." But to-day, at luncheon, Piero said, "Sai, carina! It was bad enough with Toniello, but without him, I tell you frankly, I cannot stand any more of it. With Toniello, one could laugh and forget a little. But now—anima mia, if you do not wish me to kill somebody, and be lodged beside Toniello by your worthy law-givers, you must really let me go to Trouville." "Alone!" I said; and I believe it is what he did mean, only the horror in my voice frightened him from confessing it. He sighed and got up. "I suppose I shall never be alone any more," he said, impatiently. "If only men knew what they do when they marry, on ne nous prendrait jamais. No, no. Of course I meant that you must consent to come away with me somewhere out of this intolerable place, which is made up of fog and green leaves. Let us go to Paris, to begin with: there is not a soul there, and the theatres are en relâche; but it is always delightful, and then, in a week or so, we will go down to Trouville: all the world is there." I couldn't answer him for crying. Perhaps that was best, for I am sure I should have said something wicked, which might have divided us forever. And then what would people have thought?
From the Lady Gwendolen Chichester, St. Petersburg, to the Princess di San Zenone, Coombe-Bysset.
My poor little dear,—
Are you already beginning to be miserable about what people will think? Then, indeed, your days of joy are numbered. If I were to write to you fifty times, I could only repeat what I have always written. You are not wise, and you are doing everything you ought not to do. Of two people who are married, there is always one who has the delusion that he or she is necessary and delightful to the life of the other. The other generally thinks just the contrary. The result is not peace. This gay, charming, handsome son of Rome has become your entire world; but don't suppose for a moment, my child, that you will ever be his. It is not in reason, not in nature, that you should be. If you have the intelligence, the tact, and the forbearance required, you may become his friend and counsellor; but I fear you never will have these. You fret, you weep, and you understand nothing of the masculine temperament. "I see snakes," as the Americans observe; and you will not have either the coolness or the wisdom required to scotch a snake, much less to kill it. Once for all, my poor pet, go cheerfully to Paris, Trouville, and all the pleasure-places in the world. Affect enjoyment if you feel it not, and try to remember, beyond everything, that affection is not to be retained or revived by either coercion or lamentation. Once dead, it is not to be awakened by all the "crooning" of its mourner. It is a corpse for ever and aye. Myself, I fail to see how you could expect a young Italian, who has all the habits of the great world and the memories of his vie de garçon, to be cheerful or contented in a wet June in an isolated English country house, with nobody to look at but yourself. Believe me, my dear child, it is the inordinate vanity of a woman which makes her imagine that she can be sufficient for her husband. Nothing but vanity. The cleverer a woman is, the more fully she recognizes her own insufficiency for the amusement of a man, and the more carefully (if she be wise) does she take care that this deficiency in her shall never be forced upon his observation. Now, if you shut a man up with you in a country house, with the rain raining every day, as in Longfellow's poem, you do force it upon him most conspicuously. If you were not his wife, I dare say he would not tire of you, and he might even prefer a gray sky to a blue one. But as his wife!—oh, my dear, why, why don't you try and understand what a terrible penalty-weight you carry in the race? Write and tell me all about it. I shall be anxious. I am so afraid, my sweet little sister, that you think love is all moonlight and kisses, and forget that there are clouds in the sky and quarrels on earth. May heaven save you from both! P.S.—Do remember that this same love requires just as delicate handling as a cobweb does: if a rough touch break the cobweb, all the artists in the world can't mend it. There is a truth for you. If you prevent his going to Paris now, he will go in six months' time, and perhaps he will go without you. Perhaps he would be happier at Lanciano than at Coombe, and he would have all his own people; but he would want the petits théâtres all the same. You are not wise, my poor pet; you should make him feel that you are one with his pleasures, not, that you and his pleasures are enemies. But it is no use to instil wisdom into you: you are very young, and very much in love. You look on all the natural distractions which he inclines to as so many rivals. So they may be; but we don't beat our rivals by abusing them. The really wise way is to tacitly show that we can be more attractive than they: if we cannot be so, we may sulk or sigh as we will, we shall be vanquished by them. You will think me very preachy-preachy, and perhaps you will throw me in the fire unread; but I must say just this much more. Dear, you are in love with Love, but underneath Love there is a real man, and real men are far from ideal creatures. Now, it is the real man that you want to consider, to humor, to study. If the real man be pleased, Love will take care of himself; whereas, if you bore the real man, Love will fly away. If you had been wise, my poor pet, I repeat, you would have found nothing so delightful as Judic and Chaumont, and you would have declared that the asphalt excelled all the Alps in the world. He does not love you the less because he wants to be dans le mouvement, to hear what other men are saying, and to smoke his cigar among his fellow-creatures.