"Favette—Favette! Who calls me that?"
It was a forgotten name, the name of a bygone life that fell on her ear with a strange familiar chime, breaking in on the wit, the license, the laughter of her midnight supper, as the subdued and mournful sound of vesper bells might fall upon the wild refrains and noisy drinking-songs of bacchanalian melody.
A surprised silence fell upon the group, the laughter hushed, the voices stopped; it was a strange interruption for a midnight supper. Thargélie Dumarsais involuntarily rose, her lips white, her eyes fixed, her hand clasped convulsively on the King's diamond. A vague, speechless terror held mastery over her, an awe she could not shake off had fastened upon her, as though the dead had risen from their graves, and come thither to rebuke her for the past forgotten, the innocence lost. The roses in her hair, the flowers of revel, touched a cheek blanched as though she beheld some unearthly thing, and the hand that lay on the royal jewel shook and trembled.
"Favette? Favette?" she echoed again. "It is so many years since I heard that name!"
Her guests sat silent still, comprehending nothing of this single name which had such power to move and startle her. Richelieu alone, leaning back in his chair, leisurely picked out one of his brandy-cherries, and waited as a man waits for the next scene at a theatre:
"Is it an unexpected tragedy, or an arranged comedy, ma chère? Ought one to cry or to laugh? Give me the mot d'ordre!"
His words broke the spell, and called Thargélie Dumarsais back to the world about her. Actress by profession and by nature, she rallied with a laugh, putting out her jewelled hand with a languid glance from her long almond-shaped eyes.
"A friend of early years, my dear Duc, that is all. Ah, Monsieur de Tallemont what a strange rencontre! When did you come to Paris? I scarcely knew you at the first moment; you have so long been an exile, one may pardonably be startled by your apparition, and take you for a ghost! I suppose you never dreamed of meeting Favette Fontanie under my nom de théâtre? Ah! how we change, do we not, Léon? Time is so short, we have no time to stand still! Marie, ma chère, give Monsieur le Chevalier a seat beside you—he cannot be happier placed!"
Léon de Tallemont heard not a word that she spoke; he stood like a man stunned and paralyzed by a sudden and violent blow, his head bowed, a mortal pallor changing his face to the hues of death, the features that were a moment before bright, laughing, and careless, now set in mute and rigid anguish.
"Favette! Favette!" he murmured, hoarsely, in the vague dreamy agony with which a man calls wildly and futilely on the beloved dead to come back to him from the silence and horror of the grave.