"She is as clean as a stone in the water," she said; "she has foul-smelling rags, but her flesh is clean. She woke at dawn, and asked for something to do. She knows nought, but she is willing and teachable. We can make her of use. She has nowhere to go. She is a stray little puppy. Her people were miserable, but they seem to have been pious folks. She has a cross pricked on her shoulder. She says her mother did it when she was a babe to scare the devil off her. I do not know what to say; she is a poor, forlorn little wretch; if you like to keep her, I for my part will see to her. I am old: it is well to do a good work before one dies."
Gianna was an old woman, half house-servant, half farm-servant, wholly friend; she had lived at the Terra Vergine all her life; big, gaunt, and very strong, she could do the work of a man, although she was over seventy years of age; burnt black by the sun, and with a pile of grey hair like the hank of flax on her distaff, she was feared by the whole district for her penetrating glance and her untiring energy. When Gianna was satisfied the stars had changed their courses, said the people, so rare was the event; therefore, that this little wanderer contented her was at once a miracle and a voucher indisputable.
So the child remained there; but her presence troubled Adone's mother, though Nerina was humble as a homeless dog, was noiseless and seldom seen, was obedient, agile, and became useful in many manners, and learned with equal eagerness the farm work taught her by Gianna, and the doctrine taught her by Don Silverio, for she was intelligent and willing in every way. Only Clelia Alba thought, "Perhaps Gianna's good heart misleads her. Gianna is rough; but she has a heart as tender at bottom as a ripe melon's flesh."
Anyhow, she took her old servant's word and allowed the child to remain. She could not bring herself to turn adrift a female thing to stray about homeless and hungry, and end in some bottomless pit. The child might be the devil's spawn. No one could be sure. But she had eyes which looked up straight and true, and were as clear as the river water where it flowed over pebbles in the shade. When the devil is in a soul he always grins behind the eyes; he cannot help it; and so you know him; thus, at least, they thought at Ruscino and in all the vale of Edera; and the devil did not lurk in the eyes of Nerina.
"Have I done right, reverend sir?" asked Clelia Alba of the Vicar of Ruscino.
"Oh, yes—yes—charity is always right," he answered, unwilling to discourage her in her benevolence; but in his own mind he thought, "The child is a child, but she will grow; she is brown, and starved, and ugly now, but she will grow; she is a female thing and she will grow, and I think she will be handsome later on; it would have been more prudent to have put some money in her hand and some linen in her wallet, and have let her pass on her way down the river. The saints forbid that I should put aloes into the honey of their hearts; but this child will grow."
Clelia Alba perceived that he had his doubts as she had hers. But they said nothing of them to each other. The issue would lie with Time, whom men always depict as a mower, but who is also a sower, too. However, for good or ill, she was there; and he knew that, having once harboured her, they would never drive her adrift. Clelia Alba was in every sense a good woman; a little hard at times, narrow of sympathy, too much shut up in her maternal passion; but in the main merciful and correct in judgment.
"If the child were not good the river would not have given her to us," said Adone to her; and believed it.
"Good-day, my son," said the voice of the Vicar, Don Silverio Frascara, behind him, where Adone worked in the fields. "Where did you find that scarecrow whom your mother has shown me just now?"
"She was in the river, most reverend, dancing along in it, as merry as a princess."