The vivacity, the impetuosity, the antelope elegance, the voluptuous repose that now and then broke the ceaseless, sparkling movement of her dancing, caught his eyes and fixed them on her; it was bewitching, and it bewitched him for the moment; he watched her as in other days he had watched the fantastic witcheries of eastern alme, and the ballet charms of opera dancers.
This young Bohemian of the Barrack danced in the dusky glare and the tavern fumes of the As de Pique to a set of soldiers in their shirt-sleeves with their short, black pipes in their mouths, with as matchless a grace as ever the first ballerinas of Europe danced before sovereigns and dukes on the boards of Paris, Vienna, or London. It was the eastern bamboula of the Harems, to which was added all the elastic joyance, all the gay brilliancy of the blood of France.
Suddenly she lifted both her hands above her head.
It was the signal well known, the signal of permission to join in that wild vertigo for which every one of her spectators was panting; their pipes were flung away, their kepis tossed off their heads, the music clashed louder and faster and more fiery with every sound; the chorus of the Marseillaise des Bataillons thundered from a hundred voices—they danced as only men can dance who serve under the French flag, and live under the African sun. Two, only, still looked on—the Chasseur d'Afrique, and a veteran of the 10th company, lamed for life at Mazagran.
“Are you a stupid? Don't you dance?” muttered the veteran Zephyr to his silent companion.
The Chasseur turned and smiled a little.
“I prefer a bamboula whose music is the cannon, bon pere.”
“Bravo! Yet she is pretty enough to tempt you?”
“Yes; too pretty to be unsexed by such a life.”
His thoughts went to a woman he had loved well: a young Arab, with eyes like the softness of dark waters, who had fallen to him once in a razzia as his share of spoil, and for whom he had denied himself cards, or wine, or tobacco, or an hour at the Cafe, or anything that alleviated the privation and severity of his lot as “simple soldat,” which he had been then, that she might have such few and slender comforts as he could give her from his miserable pay. She was dead. Her death had been the darkest passage in his life in Africa—but the flute-like music of her voice seemed to come on his ear now. This girl-soldier had little charm for him after the sweet, silent, tender grace of his lost Zelme.