Nothing can ever give back to mankind what every day the Italian municipalities and people are destroying, as indifferently as though they were pulling down dead leaves or kicking aside anthills in the sand. There is not even the pretext for these acts that they are done to better the state of the people; to execute them the cheapest foreign labour is called in, ousting the men of the soil off it: house-rent is trebled and quadrupled, house-room narrowed, and in many instances denied, to the native population: and contracts are given away right and left to any foreign companies or syndicates who choose to bid for them. The frightful blocks of new houses, the hideous new streets, the filthy tramways, the naked new squares, are all made by foreign speculators who purchase the right of spoliation from the municipalities as the private owners of the soil. A few men are made temporarily richer: the country is permanently beggared.
‘Rome’ wrote Hermann Grimm, ‘represents for humanity a spiritual value which cannot be easily estimated, but which is none the less precious because ideal.’ Yet the vulgar and petty administration of an ephemeral moment is allowed to treat the capital of the world as though it were some settlement of shanties in the backwoods of America, fit only to disappear beneath the mallet and scaffolding of carpenters and masons. He said with justice that to call it vandalism is an injustice to the Vandals, for they, at least, were too ignorant to know the worth of what they destroyed, and acted in mere fierce instinct of conquest, with no ulterior greed; but they who are now destroying arch on arch, tower on tower, temple and church and palace, piling the sacred stones one on another like rubble, and effacing landmarks which had been respected through a thousand years, have the excuse neither of ignorance nor of war. They know not what to do, and we may add that they care not what they do, so long as their gain is made, their pockets filled.
Of all the grotesque barbarisms committed in Rome, the destruction of the cloister of Ara Cœli and of the tower of San Paolo upon the Capitol, to make room for an equestrian statue of Victor Emmanuel, has been one of the most offensive and ill-judged. All the world knows the beauty of the Capitol, the immemorial memories connected with it, and the great statue which for so many centuries has felt the Roman sunshine strike on its golden bronze. The placing of a modern statue in juxtaposition with the mighty Aurelian is an act so irredeemably vulgar, so pitiably incongruous, that it is a matter of infinite regret, even for the repute of the House of Savoy, that the present king did not peremptorily forbid such use of his father’s manes. In the Superga, or on the mountain-side of the Piedmontese Alps he loved so well, a statue of Victor Emmanuel would be in keeping with his traditions, but it is a cruelty to him to dwarf him by such surroundings and such memories as are there on the Capitol of Rome. His fame is not of the kind which can bear, uninjured, such comparisons; and were it even ten times greater than it is, there could be no excuse for using the Capitol for such a purpose when there is the whole width of the Campagna for it, and when, in perfect accord with the abilities of modern sculptors, there are all the staring and naked modern piazzas waiting for their works. Will it be credited that it was actually proposed to place a statue of him between the columns of St Mark? In these matters the king could and should, with perfect propriety, intervene, and forbid a pretended homage for his father’s memory being made a pretext and cover for the coarse and common vandalism of the epoch. In Florence, the beautiful wooded entrance of the Cascine was destroyed to make the bald, uninteresting square called the Piazza degli Zuavi, and a large, stony, open place, shadeless and unlovely, was reserved for a monument to Victor Emmanuel; for this the oval brick basement of the pedestal was raised many years ago, and there stands, unfinished and hideous, an eyesore to the city, an insult to the royal House.
There is scarcely a little town, there is no provincial capital on the whole peninsula, which has not some new, staring, stucco street named Corso Vittorio Emmanuele, or some historic and ancient square made absurd and pitiable by being re-baptised Piazza dell’ Independenza. The effect is at once ludicrous and deplorable.
If it were necessary thus to deify the events of the last thirty years, and magnify them out of their true proportions, it would have been easy to build some wholly new city in some vacant spot, which might have borne any name or names deemed fitting, and thus have left in peace the great cities of the past, and not have made the present recall the fable of the frog and the bull.
Around Rome, as well as within it, the most luxuriant vegetation, a few years ago, alternated with the most sacred ruins: tombs and temples and triumphal arches were framed in the most abundant foliage; the banksia rose, the orange, the myrtle, the jessamine climbed and blossomed amidst the ruins of the palace of the Cæsars. In all these grand gardens, in these flowering fields, in these grass meadows, stretching between their marble colonnades, there was, as the German scholar says, an infinite calm, a loveliness and stillness in which the poet and the scholar could draw near to the mighty dead who had once been there as living men. There was nothing like it left on earth. Now it is destroyed for ever. Now,—in the stead of that tender silence of the tombs, that exquisite freshness of the spring, awakening in a thousand moss-grown dells and myrtle thickets which had seen Ovid and St Paul, Augustine and Raffael--now, in the stead of this there are the stench of engines, the dust of shattered bricks, the scream of steam whistles, the mounds of rubbish, the poles of scaffolding, long lines of houses raised in frantic haste on malarious soil, enormous barracks, representative of the martial law required to hold in check a liberated people: all is dirt, noise, confusion, hideousness, crowding, clamour, avarice.
The leaders of an invading and victorious army would have been ashamed to cause the havoc and the blasphemy which the Roman municipality have carried out with shameless callousness; the indignant voice of Europe would have bidden a Suwarrow, a Napoleon, a Constable de Bourbon stay his hand, had he dared to level with the dust the august monuments of which neither the majesty nor the memories have power to daunt the impious hand of the nineteenth century Edilizia. Common faith, even, has not been kept with the Roman people in the ruin of their city; the completed plan, put before the public in 1880, of the works which were intended, did not prepare the public for one-tenth of the devastation which has been wrought. In the words of Grimm, those who put forth the plan of ’80 proposed tranquil, moderate and decent measures, and never contemplated the insensate haste, the brutal fury, the unsparing greed shown by those who, professing to accept its propositions, have utterly disregarded and far outstripped them. In the plan of ’80 it was, for instance, expressly stated and provided that certain gardens, amongst them the Ludovisi, should be purchased by the city, but kept intact in their verdure and extent. This promise has been broken.
What traveller has not known the Ludovisi Gardens? What scholar, dreamer, painter, has not found his heaven there? Those immemorial pines, making twilight beneath them in the sunniest noon, those lofty walls of bays and of arbutus, those dim, green, shadowy aisles leading to velvet swards and violet-studded banks, the family of peacocks spreading their purples, their emeralds, their gold, out in the glory of the radiant light, the nightingales singing night and day in the fragrant solitudes, Sappho’s angel in Corrinna’s gardens—who has not known these? who has not loved these? And they are gone, gone forever; gone through the greed of men, and in their stead will stand the vile rows of cheap and staring houses: in their place will reign the devil of centralisation.
Centralisation is the heart-disease of nations. The blood, driven by it from the body and the limbs, becomes turgid and congested, overfills the vessels of the heart, and chokes them up; there is no more health, and later there is death. It has been the curse of France. It will be the curse of Italy. The violated nymphs and the slaughtered nightingales of the ruined gardens will be avenged. But what solace is that to us? We have lost them forever. No power on earth can give them back to us.
There is a violation of that sentiment which the Latins called Piety, so glaring, and so monstrous, in the destruction of Rome by the Italians, that it dwarfs all similar ruin being wrought elsewhere. All over Italy things are daily being done which might wring tears from the statues’ eyes of stone.[[A]]