New Munich, striving to be Athens or Rome, is monotonous and tiresome, but old Munich is quaint and humble, and historical and romancical, with its wooden pavements under foot, and its clouds of doves above head; indeed, has so much beauty of its own, like any old painted Missal or golden goblet of the moyen âge, that it seems incredible to think that any man could ever have had the heart to send the hammers of masons against it, and set up bald walls of plaster in its stead. Wandering in old Munich—there is not much of it left, alas!—is like reading a black-letter ballad about Henry the Lion or Kaiser Max; it has sombre nooks and corners, bright gleams of stained casements, bold oriels, and sculptured shields, arcades and arches, towers and turrets, light and shade, harmony and irregularity, all, in a word, that old cities have, and old Teutonic cities beyond all others; and when the Metzgersprung is in full riot round the Marienplatz, or on Corpus Christi day, when the King and the Court and the Church, the guilds and the senate and the magistracy, all go humbly through the flower-strewn streets, it is easy to forget the present and to think that one is still in the old days with the monks, who gave their name to it, tranquil in their work-rooms and the sound of battle all over the lands around them.

It was the Corpus Christi day in Munich now, and the whole city, the new and the old, had hung itself with garlands and draperies, with pictures and evergreens, with flags and tapestries, and the grand procession had passed to and from the church, and the archbishop had blessed the people, and the king had bared his handsome head to the sun and the Holy Ghost, and it was all over for the year, and the people were all happy and satisfied and sure that God was with them and their town; especially the people of the old quarters, who most loved and clung to these ceremonials and feasts; good God-fearing families, labouring hard, living honestly and wholesomely, gay also in a quiet, mirthful, innocent fashion—much such people as their forefathers were before them, in days when Gustavus Adolphus called their city the golden saddle on the lean horse.

The lean horse, by which he meant the sterile plains, which yield little except hay, looks rich with verdure in the mellow afternoon light, when midsummer is come, and the whole populace, men, women, and children, on Sundays and feast-days pour out of the city gates eagerly to their own little festivities under the cherry-trees of the little blue and white coffee-houses along the course of the river, when the beanflowers are in bloom. For out of the old city you go easily beyond the walls to the grey glacier water of "Isar rolling rapidly," not red with blood now as after Hohenlinden, but brilliant and boisterous always, with washerwomen leaning over it with bare arms, and dogs wading where rushes and dams break the current, and the hay blowing breast-high along the banks, and the students chasing the girls through it, and every now and then upon the wind the music of a guitar, light and dancing, or sad and slow, according as goes the heart of the player that tunes it. At this season Bavaria grows green, and all is fresh and radiant. Outside the town all the country is a sheet of cherry-blossom and of clover. Night and day, carts full of merrymakers rattle out under the alders to the dancing places amongst the pastures, or to the Sommerfrischen of their country friends. Whoever has a kreuzer to spend will have a draft of beer and a whiff of the lilac-scented air, and the old will sit down and smoke their painted pipes under the eaves of their favourite Gasthof, and the young will roam with their best-loved maidens through the shadows of the Anlagen, or still farther on under the high beech-trees of Grosshesslohe.


MOTHS.

The ear has its ecstasy as have other senses.


As there is love without dominion, so there is dominion without love.


When Fame stands by us all alone, she is an angel clad in light and strength; but when Love touches her she drops her sword, and fades away, ghostlike and ashamed.