"We do care," said the girl gently.

"Oh, in a way. That is not what I mean," said the boy, with a little impatience which daily grew on him more, for the associates of his life. "You all care; you all sing; it is as the finches do in the fields, without knowing at all what it is that you do. You are all like birds. You pipe—pipe—pipe, as you eat, as you work, as you play. But what music do we ever have in the churches? Who amongst you really likes all that music when I play it off the old scores that Gigi says were written by such great men, any better than you like the tinkling of the mandolines when you dance in the threshing barns? I am sure you all like the mandolines best. I know nothing here. I do not even know whether what I do is worth much or nothing. I think if I could hear great music once—if I could go to Florence——"

"To Florence?" echoed Palma.


The contadino not seldom goes through all his life without seeing one league beyond the fields of his labour, and the village that he is registered at, married at, and buried at, and which is the very apex of the earth to him. Women will spin and plait and hoe and glean within half a dozen miles of some great city whose name is an art glory in the mouths of scholars, and never will have seen it, never once perhaps, from their birth down to their grave. A few miles of vine-bordered roads, a breadth of corn-land, a rounded hill, a little red roof under a mulberry tree, a church tower with a saint upon the roof, and a bell that sounds over the walnut-trees—these are their world: they know and want to know no other.

A narrow life, no doubt, yet not without much to be said for it. Without unrest, without curiosity, without envy; clinging like a plant to the soil; and no more willing to wander than the vinestakes which they thrust into the earth.

To those who have put a girdle round the earth with their footsteps, the whole world seems much smaller than does the hamlet or farm of his affections to the peasant:—and how much poorer! The vague, dreamful wonder of an untravelled distance—of an untracked horizon—has after all more romance in it than lies in the whole globe run over in a year.

Who can ever look at the old maps in Herodotus or Xenophon without a wish that the charm of those unknown limits and those untraversed seas was ours?—without an irresistible sense that to have sailed away, in vaguest hazard, into the endless mystery of the utterly unknown, must have had a sweetness and a greatness in it that is never to be extracted from "the tour of the world in ninety days."


"She takes a whim for him; a fancy of a month; he thinks it heaven and eternity. She has ruined him. His genius is burned up; his youth is dead; he will do nothing more of any worth. Women like her are like the Indian drugs, that sleep and kill. How is that any fault of mine? He could see the thing she was. If he will fling his soul away upon a creature lighter than thistle-down, viler than a rattlesnake's poison, poorer and quicker to pass than the breath of a gnat—whose blame is that except his own? There was a sculptor once, you know, that fell to lascivious worship of the marble image he had made; well,—poets are not even so far wise as that. They make an image out of the gossamer rainbow stuff of their own dreams, and then curse heaven and earth because it dissolves to empty air in their fond arms—whose blame is that? The fools are made so——"