"The poor you have always with you," she said to a bevy of great ladies once. "Christ said so. You profess to follow Christ. How have you the poor with you? The back of their garret, the roof of their hovel, touches the wall of your palace, and the wall is thick. You have dissipations, spectacles, diversions that you call charities; you have a tombola for a famine, you have a dramatic performance for a flood, you have a concert for a fire, you have a fancy fair for a leprosy. Do you never think how horrible it is, that mockery of woe? Do you ever wonder at revolutions? Why do you not say honestly that you care nothing? You do care nothing. The poor might forgive the avowal of indifference; they will never forgive the insult of affected pity."
"Why do you go to such a place?" he asked her as she stood on the staircase.
"There are poor there, and great misery," she answered him reluctantly; she did not care to speak of these things at any time.
"And what good will you do? You will be cheated and robbed, and even if you are not, you should know that political science has found that private charity is the hotbed of all idleness."
"When political science has advanced enough to prevent poverty, it may have the right to prevent charity too," she answered him, with a contempt that showed thought on the theme was not new to her. "Perhaps charity—I dislike the word—may do no good; but friendship from the rich to the poor must do good; it must lessen class hatreds."
"Are you a socialist?" said Zouroff with a little laugh, and drew back and let her pass onward.
"My dear! I never say rude things; but, if you wish me to be sincere, I confess I think everybody is a little vulgar now, except old women like me, who adhered to the Faubourg while you all were dancing and changing your dresses seven times a day at St. Cloud. There is a sort of vulgarity in the air; it is difficult to escape imbibing it; there is too little reticence, there is too much tearing about; men are not well-mannered, and women are too solicitous to please, and too indifferent how far they stoop in pleasing. It may be the fault of steam; it may be the fault of smoking; it may come from that flood of new people of whom 'L'Etrangère' is the scarcely exaggerated sample; but, whatever it comes from, there it is—a vulgarity that taints everything, courts and cabinets as well as society. Your daughter somehow or other has escaped it, and so you find her odd, and the world thinks her stiff. She is neither; but no dignified long-descended point-lace, you know, will ever let itself be twisted and twirled into a cascade and a fouillis like your Brétonne lace that is just the fashion of the hour, and worth nothing. I admire your Vera very greatly; she always makes me think of those dear old stately hotels with their grand gardens in which I saw, in my girlhood, the women who, in theirs, had known France before '30. These hotels and their gardens are gone, most of them, and there are stucco and gilt paint in their places. And here are people who think that a gain. I am not one of them."