The art of pleasing is more based on the art of seeming pleased than people think of, and she disarmed the prejudices of her enemies by the unaffected delight she appeared to take in themselves. You may think very ill of a woman, but after all you cannot speak very ill of her if she has assured you a hundred times that you are amongst her dearest friends.


Society always had its fixed demands. It used to exact birth. It used to exact manners. In a remote and golden age there is a tradition that it was once contented with mind. Nowadays it exacts money, or rather amusement, because if you don't let other folks have the benefit of your money, Society will take no account of it. But have money and spend it well (that is, let Society live on it, gorge with it, walk ankle-deep in it), and you may be anything and do anything; you may have been an omnibus conductor in the Strand, and you may marry a duke's daughter; you may have been an oyster-girl in New York, and you may entertain royalties. It is impossible to exaggerate an age of anomaly and hyperbole. There never was an age when people were so voracious of amusement, and so tired of it, both in one. It is a perpetual carnival and a permanent yawn. If you can do anything to amuse us you are safe—till we get used to you—and then you amuse no longer, and must go to the wall. Every age has its price: what Walpole said of men must be true of mankind. Anybody can buy the present age that will bid very high and pay with tact as well as bullion. There is nothing it will not pardon if it see its way to getting a new sensation out of its leniency. Perhaps no one ought to complain. A Society with an india-rubber conscience, no memory, and an absolute indifference to eating its own words and making itself ridiculous, is, after all, a convenient one to live in—if you can pay for its suffrages.


If you are only well beforehand with your falsehood all will go upon velvet; nobody ever listens to a rectification. "Is it possible?" everybody cries with eager zest; but when they have only to say "Oh, wasn't it so?" nobody feels any particular interest. It is the first statement that has the swing and the success; as for explanation or retractation—pooh! who cares to be bored?


Those people with fine brains and with generous souls will never learn that life is after all only a game—a game which will go to the shrewdest player and the coolest. They never see this; not they; they are caught on the edge of great passions, and swept away by them. They cling to their affections like commanders to sinking ships, and go down with them. They put their whole heart into the hands of others, who only laugh and wring out their lifeblood. They take all things too vitally in earnest. Life is to them a wonderful, passionate, pathetic, terrible thing that the gods of love and of death shape for them. They do not see that coolness and craft, and the tact to seize accident, and the wariness to obtain advantage, do in reality far more in hewing out a successful future than all the gods of Greek or Gentile. They are very unwise. It is of no use to break their hearts for the world; they will not change it. La culte de l'humanité is the one of all others which will leave despair as its harvest. Laugh like Rabelais, smile like Montaigne; that is the way to take the world. It only puts to death its Sebastians, and makes its Shelleys not sorrowful to see the boat is filling.


Society always adheres to its principles; just as a Moslem subscribes none the less to the Koran because he may just have been blowing the froth off his bumper of Mumm's before he goes to his mosque.