In answer she wrote back to him:
"I do not urge you to have my faith: what is the use? Goethe was right. It is a question between a man and his own heart. No one should venture to intrude there. But taking life even as you do, it is surely a casket of mysteries. May we not trust that at the bottom of it, as at the bottom of Pandora's, there may be hope? I wish again to think with Goethe that immortality is not an inheritance, but a greatness to be achieved like any other greatness, by courage, self-denial, and purity of purpose—a reward allotted to the just. This is fanciful, may be, but it is not illogical. And without being either a Christian or a Materialist, without beholding either majesty or divinity in humanity, surely the best emotion that our natures know—pity—must be large enough to draw us to console where we can, and sustain where we can, in view of the endless suffering, the continual injustice, the appalling contrasts, with which the world is full. Whether man be the vibrion or the heir to immortality, the bundle of carbon or the care of angels, one fact is indisputable: he suffers agonies, mental and physical, that are wholly out of proportion to the brevity of his life, while he is too often weighted from infancy with hereditary maladies, both of body and of character. This is reason enough, I think, for us all to help each other, even though we feel, as you feel, that we are as lost children, wandering in a great darkness, with no thread or clue to guide us to the end."
"We do not cultivate music one-half enough among the peasantry. It lightens labour; it purifies and strengthens the home life; it sweetens black bread. Do you remember that happy picture of Jordaens' 'Where the old sing, the young chirp,' where the old grandfather and grandmother, and the baby in its mother's arms, and the hale five-year-old boy, and the rough servant, are all joining in the same melody, while the goat crops the vine-leaves off the table? I should like to see every cottage interior like that when the work was done. I would hang up an etching from Jordaens where you would hang up, perhaps, the programme of Proudhon."
Then she walked back with him through the green sun-gleaming woods.
"I hope that I teach them content," she continued. "It is the lesson most neglected in our day. 'Niemand will ein Schuster sein; Jedermann ein Dichter.' It is true we are very happy in our surroundings. A mountaineer's is such a beautiful life, so simple, healthful, hardy, and fine; always face to face with nature. I try to teach them what an inestimable joy that alone is. I do not altogether believe in the prosaic views of rural life. It is true that the peasant digging his trench sees the clod, not the sky; but then when he does lift his head the sky is there, not the roof, not the ceiling. That is so much in itself. And here the sky is an everlasting grandeur; clouds and domes of snow are blent together. When the stars are out above the glaciers how serene the night is, how majestic! even the humblest creature feels lifted up into that eternal greatness. Then you think of the home-life in the long winters as dreary; but it is not so. Over away there, at Lahn, and other places on the Hallstadtersee, they do not see the sun for five months; the wall of rock behind them shuts them from all light of day; but they live together, they dance, they work. The young men recite poems, and the old men tell tales of the mountains and the French war, and they sing the homely songs of the Schnader-hüpfeln. Then when winter passes, when the sun comes up again over the wall of rocks, when they go out into the light once more, what happiness it is! One old man said to me, 'It is like being born again!' and another said, 'Where it is always warm and light I doubt they forget to thank God for the sunshine;' and quite a young child said, all of his own accord, 'The primroses live in the dusk all the winter, like us, and then when the sun comes up we and they run out together, and the Mother of Christ has set the water and the little birds laughing.' I would rather have the winter of Lahn than the winter of Belleville."
If the Venus de Medici could be animated into life women would only remark that her waist was large.
Tedium is the most terrible and the most powerful foe love ever encounters.