"Ah?—you see there are no reeds that make music now-a-days; the reeds are only good to be woven into kreels for the fruits and the fish of the market."
"That is not the fault of the reeds?"
"Not that I know; it is the fault of men, most likely, who find the chink of coin in barter sweeter music than the song of the syrinx. But what do you think the reed felt then?—pain to be so sharply severed from its fellows?"
"No—or the god would not have chosen it."
"What then?"
A troubled sigh parted her lips; these old fables were fairest truths to her, and gave a grace to every humblest thing that the sun shone on, or the waters begat from their foam, or the winds blew with their breath into the little life of a day.
"I was trying to think. But I cannot be sure. These reeds have forgotten. They have lost their soul. They want nothing but to feed among the sand and the mud, and grow in millions together, and shelter the toads and the newts,—there is not a note of music in them all—except when the wind rises and makes them sigh, and then they remember that long, long-ago the breath of a great god was in them."
Arslàn looked at her where she stood; her eyes resting on the reeds, and the brook at her feet; the crimson heat of the evening all about her, on the brazen amphora, on the red girdle on her loins, on the thoughtful parted lips, on the proud bent brows above which a golden butterfly floated as above the brows of Psyche.
He smiled; the smile that was so cold to her.
"Look: away over the fields, there comes a peasant with a sickle; he comes to mow down the reeds to make a bed for his cattle. If he heard you, he would think you mad."