[48.] The aiding cymbals.]—Ver. 333. The witches and magicians, in ancient times, and especially those of Thessaly, professed to be able, with their charms and incantations, to bring the moon down from heaven. The truth of these assertions being commonly believed, at the period of an eclipse it was supposed by the multitude that the moon was being subjected to the spells of these magicians, and that she was struggling (laborabat) against them, on which the sound of drums, trumpets, and cymbals was resorted to, to distract the attention of the moon, and to drown the charms repeated by the enchanters, for which reason, the instruments employed for the purpose were styled ‘auxiliares.’

[49.] As when the Sun.]—Ver. 349. Bailey gives this explanation of the passage,— ‘The eyes of the Nymph seemed to sparkle and shine, just as the rays of the sun in a clear sky when a looking-glass is placed against them, for then they seem most splendid, and contract the fire.’ From the mention of the eyes of the Nymph burning ‘flagrant,’ we might be almost justified in concluding that ‘speculum’ means here not a mirror, but a burning-glass. The ‘specula,’ or looking-glasses, of the ancients were usually made of metal, either a composition of tin and copper, or silver; but in later times, alloy was mixed with the silver. Pliny mentions the obsidian stone, or, as it is now called, the Icelandic agate, as being used for this purpose. Nero is said to have used emeralds for mirrors. Pliny the Elder says that mirrors were made in the glass-houses of Sidon, which consisted of glass plates, with leaves of metal at the back; they were probably of an inferior character. Those of copper and tin were made chiefly at Brundisium. The white metal formed from this mixture soon becoming dim, a sponge with powdered pumice stone was usually fastened to the mirrors made of that composition. They were generally small, of a round or oval shape, and having a handle; and female slaves usually held them, while their mistresses were performing the duties of the toilet. Sometimes they were fastened to the walls, and they were occasionally of the length of a person’s body. Venus was supposed often to use the mirror; but Minerva repudiated the use of it.

[50.] Polypus.]—Ver. 366. This is a fish which entangles its prey, mostly consisting of shell fish, in its great number of feet or feelers. Ovid here calls them ‘flagella;’ but in the Halieuticon he styles them ‘brachia’ and ‘crines.’ Pliny the Elder calls them ‘crines’ and ‘cirri.’

[51.] Descendant of Atlas.]—Ver. 368. Hermaphroditus was the great-grandson of Atlas; as the latter was the father of Maia, the mother of Mercury, who begot Hermaphroditus.

[52.] The two are united.]—Ver. 374. Clarke translates, ‘nam mixta duorum corpora junguntur,’ ‘for the bodies of both, being jumbled together, are united.’

[53.] Derive their name.]—Ver. 415. In Greek they are called νυκτερίδες, from νυξ, ‘night;’ and in Latin, ‘vespertiliones,’ from ‘vesper,’ ‘evening,’ on account of their habits.

[54.] She alone.]—Ver. 419. This was Ino, whose only sorrows hitherto had been caused by the calamities which befell her sisters and their offspring: Semele having died a shocking death, Autonoë having seen her son Actæon changed into a stag, and then devoured by his dogs, and Agave having assisted in tearing to pieces her own son Pentheus.

[55.] When they have enjoyed.]—Ver. 435. The spirits whose bodies had not received the rites of burial, we learn from Homer and Virgil, were not allowed to pass the river Styx, but wandered on its banks for a hundred years.

[56.] So does that spot.]—Ver. 441. That is to say, whatever number of ghosts arrives there, it receives them all with ease, and is not sensible of the increase of number; either because the place itself is of such immense extent, or because the souls of the dead do not occupy space.

[57.] The Sisters.]—Ver. 450. These were the Furies, fabled to be the daughters of Night and Acheron. They were three in number, Tisiphone, Alecto, and Megæra, and were supposed to be the avengers of crime and wickedness.