Origin of the Totem [Footnote: The coat of arms of a clan.] of the Wolf.
FIRST LEGEND.
The tradition of the Lunar Bow, the Manitou's bright path, or the origin of the totem of the wolf, was traced with a scene long remembered at their councils, passing from generation to generation, and still sung by the Indian mothers in their far-off home towards the setting sun—the last foot-hold of the dark sons of the forest on this their native land. On the east side of the Falls of Niagara, before the hallowed waters of the mist fell, on the pale-faced warrior or the sound of the axe had even broken the great stillness of their undisputed soil, the dark shadows of the primeval forest fell only on rock and wigwam.
The red-topped sumach and sweet sassafras grew thick on either side, while ledges of rocks here and there pierced the foliage of the cedar-crowned banks 'round which tumbled and roared the mad waves, leaping like frightened does in wild confusion to their final plunge. The narrow Indian trails, winding around swamps, over hills, and through ravines, were the only paths that led to this their Great Manitou.
The drowsy sultriness of an American summer pervaded this secluded spot, harmonizing with the unceasing roar of the Great Falls. Ever and anon, tall, dark forms might be seen suddenly appearing from the thick foliage of the underbrush, through which their paths with difficulty wound, and silently their painted faces and gayly plumed heads dropped round the big wigwam. Important questions waited the decision of their wisest Sachems, and runners had been sent with wampum to call together distant Chiefs, who, with braves and warriors, as became the dignity of the wampum, answered by their presence quickly and in silence.
Near the brink of the Falls, beneath an aged pine, reclined a well-guarded, sorrowful, but haughty band. Their fine symmetry, noble height, and free carriage, were especially attractive. They were all young warriors, whose white paint presented emblems of peace: their plumes were from the beautiful white crane of the sunny forest, which designated the southern land from whence they came.
A gleam of pride flashed across their dark faces, while their attitudes bespoke both defiance and despair. A tall, stately looking youth appeared to command from these few the deference due a Chief. He was leaning against the old tree, looking for the first time on the great sheet of falling waters, where soon himself and followers would probably end their tortures by a welcome leap. Their noble bearing had attracted the eye of the Sachem's daughter, the Gentle Fawn; she, with a few young Indian girls, half hid among the whortleberry bushes growing luxuriantly around the smaller wigwams of the camp, were dividing their attention between the stately captives and weaving the gaudy wampums to be bestowed, with the shy little weavers themselves, upon such young braves as should be deemed worthy by the great council. Their stolen glances of admiration and pity, however, were intercepted by the young brave who brought home and so suspiciously guarded the prisoners. He was a fierce, wicked savage, with repulsive, glistening eyes, evincing a cunning, revengeful disposition.
[Illustration: GREAT OAK]
At the side of this savage hung a string of fresh scalps, and a gleam of exultation shot across his swarthy visage as he pointed to the gory trophies at his belt, saying:
"The Black Snakes scalps are fresh from his enemies; the fingers of the
Gentle Fawn cannot number them."