"Have I got you, Blainey?" she said, looking at him boldly.

"You got me from the first with your impudent way," he said abruptly. "I'm interested in you, kid—particularly interested! You understand what I mean?"

"It's not hard to understand you, T. B."

"I'll put you on Broadway in two years," he said. Then, bubbling over with enthusiasm, he took up the rôle again. "God! there's a scene here that'll get 'em—won't be a dry handkerchief in the house!" He continued, his face lighting up with sentiment, for scenes of virtue triumphant, virtue resisting, virtue rewarded, genuinely moved him—on the stage: "End of second act, the girl learns she's an intruder—not Lady Marjorie, heiress to millions, but a waif, substituted, see? It's a lie, of course; all works out well in the last act; but you don't know that. She's got an exit there beats anything in Camill! Runs away, see? Leaves everything—jewels, clothes, money, nothing belongs to her.

"Proud—that's the idea; won't take a thing—nothing! Just as she's rushing out, sees a cat, a damned, bobtailed, battered old kitten she's picked off the streets, saved from a gang of ruffians in first act. That's hers; in that great gorgeous palace—think of it—all that is hers—all she's a right to. Runs back, grabs it, hugs it to her breast, and goes out! What a chance! There's millions in that cat! I saw it. The play was rotten, but the cat was there! That's the kind of stuff that gets over, chokes you up, blinds you! I know it—I'd risk a fortune on it!"

"Sounds good!" she said, nodding, amazed at this other side in him, not yet comprehending inconsistencies in human nature.

He was off in raptures again, insisting on reading the final pages. She listened without hearing, attracted and repulsed, turn about, by the man. When he had come to earth again, she said:

"Blainey, I'm going to send a girl around to you for that part you offered me."

"No, you're not! Work others," he said, with a snap. "Trim 'em, but don't work me! I don't go in for charity!"

"Who said anything about charity?" she answered, knowing the impracticability of such an appeal. "I'm sending you some one who can act—Winona Horning, and a beauty! She was going to take a part in one of Zeller's productions, and I told her to hold off until you saw her. She's a friend, and I don't want her to lose time with Zeller!"