"The warning holds until to-morrow morning," she said, her eyes sparkling, the mood dramatized in every eager and malicious expression.
He did not answer, aroused and retreating by turns, uncomfortable, irritated and yet resolved. Had Doré known the fires she had kindled and the ends to which he was capable of going, perhaps she would not have felt so audaciously triumphant.
As they swung from Broadway into the crowded, narrow side street, quite a group was before the entrance—a knot of stage-hands loafing outside for a smoke, Blainey himself in conversation with an actress who was speaking to him from another automobile, and three or four of the personnel of the theater awaiting the arrival of the manager.
She forced Sassoon to descend and hand her down—Sassoon rebelling at being thus paraded and recognized. Then, with a fractional nod, she went through the group. All at once some one, making way for her, lifted his hat. She looked up and recognized the one man she did not wish to see her thus in Sassoon's company: Judge Massingale, smiling his impersonal, tolerantly amused smile.
CHAPTER VIII
When she had passed the familiar limping figure of the guardian of the stage door, and had caught the sound of the helter-skelter preparations behind the curtains—the ring of hammers, the hoarse shouts into the rafters, the green-and-gold filmy sheen of the scenery, the groups in costume, chattering in the wings, the busy black-hatted, coatless stage-hands tearing about—Doré felt that tingling of the nerves that comes to the crutched veteran when the regiment passes. She adored this life with a keen excited zest. Its unrealities were vitally real, its Lilliputian sultans and pashas great potentates. She adored it—but she was not yet decided. To have been certain of succeeding would have seemed to her the fullest of life; but she was not so blinded by the dazzling light of success as not to perceive clearly the barrenness of its mediocrity and the horror of its failure.
She passed into the theater, which seemed to swallow her up in its impenetrable embrace. She stood a moment, peering into the darkness, seeing only a great red eye above, ghostly draperies in the galleries, and in the mysterious catacombs below a vague flitting figure stumbling to a seat. Then, her eyes growing accustomed to the obscurity, she put out her hand and felt her way along the empty seats, with their damp musty shrouds.
The curtain was up on the set for the first act, which had been ended ten minutes before. They had been rehearsing since noon; the probabilities were they would continue long past midnight. On the stage, O'Reilly of the "props" was swearing hoarsely at the calcium light in the ceilings, throwing on reds and blues with a rapid succession that blinded the eyes. Baum was cursing the scene-shifters, clamoring for more verdure. Trimble, the stage-manager, was in the center of the stage, rearranging a scene with the soubrette and the heavy comic. In the house itself, back of the orchestra, in the dim lobby with its dungeon reflections from the street, the chorus girls and men were busily rehearsing a new step that had just been given them, humming as they balanced on their toes, took hands and twined about their partners, who, with a final twirl, sank on their knees to receive them. As the step was complicated, everywhere murmurs of expostulation and protest were heard:
"Stupid! Not that way!"